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Neal insists that he wants to go fishing with Paul and Norman, but he does not bring any fishing gear other than his bait can, which is useless for fly fishing. Paul and Norman drive Neal and Old Rawhide to the place on the river that they want to fish. Paul and Norman bury bottles of beer along the river. Neal announces that he will fish from a sandbar near the parked car.
Paul and Norman move further down the river in search of good fishing spots. Paul admits that he knows that he should move away from Montana in order to stay out of trouble. Then, he immediately returns to talk of the weather and fishing. The two men separate to fish.
Norman searches for the right place to catch a fish, but nothing is biting. He finds a dead beaver surrounded by bees and catches fish by putting an imitation bee on his line. Relieved that he has caught four decent-sized fish—so that he won’t be embarrassed in front of Paul—he sits on the river bank, trying to forget his troubles, and meditatively becomes one with the river.
When Paul returns, they go in search of the beer they have left cooling in the river. All four of their stashes are empty. They know that Neal and Old Rawhide have taken their beer. Paul and Norman find the two of them passed out, stark naked, face down, and bright red from sunburn, on the sandbar in the middle of the river. It is a vision that neither Paul nor Norman will ever forget.
Because they are too sunburned to put their clothes on, they ride naked in the back seat, risking being seen by people in town or the police. They drop Old Rawhide off at the edge of town. Paul is so angry that their river has been defiled by Neal and Old Rawhide that he runs after her, kicking her in the behind. Norman runs after her too, but he misses. Neal and Norman both dread facing “three Scotch women” (72)—Florence, Jessie, and Dorothy when they bring Neal home.
The women tenderly nurse Neal’s sunburn, and each woman separately comes to Norman to ask what happened. Florence doesn’t blame Norman, and she tells him she loves him. Dorothy, or Dottie, tells Norman not to worry about Neal and that he will be all right in a few days. Norman and Jessie make up, after having a conversation about how she wants to help her brother, and she wants Norman to help him too. Norman understands completely because of his own brother’s drinking problem. They promise to “‘never lose touch’” (77) with one another again.
Paul and Norman go for a few drinks at the local bar, Black Jack’s, and Paul suggests that they spend the night with their parents in Missoula. He wants them to go fishing the next day with their father. It is to be their last fishing trip as a family.
Paul’s identification with nature and his status as an outsider are confirmed when, on the river, he tells Norman that he knows he should move away from Montana. In Montana, Paul is too close to nature; his connection to nature is so powerful that he cannot tolerate Neal and Old Rawhide’s disrespectful treatment of the sandbar on which they drink, presumably have sex, and lose consciousness. If he moves away from Montana, where Paul’s nature self is stronger than the parts of him who can cope with society, Paul feels he will be able to gain control and find stability.
When Norman and Jessie reconcile, they do so because they have a better understanding of each other. Norman better understands Jessie’s sense of duty and her love for Neal; Jessie is as much her brother’s keeper as Norman feels he should be for Paul. By exploring this theme from the points of view of both Norman and Jessie, Maclean demonstrates that the universality of this sense of responsibility to one’s fellow man. The state of keeping one’s brother is not limited to men; women too feel the need to look after people about whom they care in a way that is not necessarily maternal in nature.
When Norman and Paul agree to visit their parents and go fishing with their father, they agree to seek the healing powers of nature together. The situation with Jessie and her family has caused stress for both brothers, and they both know that some time on the river with their father will soothe their ragged nerves. This acknowledgement of the theme of the power of nature to heal foreshadows tragedy to come as Maclean points out to the reader that this trip is to be their last as a family.
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