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Content Warning: This section of the guide includes discussions of violence.
At the Khadi Shop, only 10 others are present. Keshavji explains that the riots are spreading, becoming more violent and claiming to fight the British. He adds that some of the British worry that integrating Dalits into schools will lead to more violence. The police too have been more aggressive, using their lathis (wooden batons) to beat protesters and rioters. Ma insists that they continue on, even if they’re assaulted, and that nonviolence is the way forward.
When they leave, a police officer appears to arrest Ma for instigating riots because of Dalits. Keshavji tries to intervene but is arrested. He and Ma are pulled into a van, and Anjali is pushed to the ground. Her teacher appears and says that they must find her father because the police are after him too. However, Masterji stays with Anjali when Baba goes to help Ma.
Baba’s attempts to get Ma out of prison are fruitless. The charkha sits in their hall, reminding Anjali of her mother’s absence. She shoves it, denting the wood. Baba reminds her of the story of Rani of Jhansi by showing Anjali a picture she drew as a child. Rani was a queen who battled the British. Anjali used to think it was a story about her mother. Baba then suggests walking to the basti.
It’s early enough that no one else is in the streets, and Mohan apologizes to Anjali for her mother. He explains that his mother passed away when he was 10 because she had a fever and no one wanted to treat her. They couldn’t afford the medicine she needed. He adds that she taught him to make necklaces. Anjali then insists that they try to sell his necklaces just outside the basti.
While they wait, Mohan admits that she reminds him of a horse with blinders on because she’d see everything around him. He recounts the times that he’s been yelled at or had stones thrown at him because of how people think of his caste. He points out that a stray dog can move more freely through the town than he can.
Just as Anjali starts to lose hope, a car comes around the corner, and a British officer gets out with his wife. She asks what Mohan and Anjali are selling. Anjali replies, “Bahut purane mani hain […] Antiques” (210). The woman buys one, and as she leaves, Mohan teases Anjali about what she called the necklaces.
Pleased, Anjali tells Mohan that the British don’t care about the caste system, so Indians shouldn’t either. She thinks it’s a sign that change is possible. Mohan replies that even though Anjali’s mother is in prison, her work continues through Anjali.
Baba and Anjali receive permission to visit Ma. Anjali holds the drawing of Rani of Jhansi she made. The prison smells terrible. She spots Keshavji first, and they talk until the guards force her and Baba to move on. When they see Shailaja, Baba almost cries. He says that they’re working to get her out.
Ma tells Anjali about a boy whom Anjali saw who’s destined to hang. He’s 17 and set fire to a building. When Ma worked for Captain Brent, his refusal to pardon the boy or even ensure that he got a fair sentence was the final straw that pushed her to join the freedom movement. She admits that she sometimes doubts her decision. Anjali passes her the drawing and tells her that she’s brave.
The riots continue, and the school remains closed. The teacher is in Indore in hiding, and they must find someone to run the school.
Baba turns on the radio, which broadcasts details about Gandhi’s 21 day fast. Baba says that Gandhi is brave, but so are Ma and Anjali.
Just then, they hear a commotion outside and see a group of people kicking something. Their neighbor tells them that Suman received a necklace from Mohan, and Anjali realizes that they’re kicking her friend. Baba pulls Mohan from the circle, and the boy is bleeding and injured. Anjali thinks that it’s her fault since she said no one would care who made his necklaces. She tries to get him to go to a doctor that treats Dalits, but he replies that they’re “Untouchables.” He adds that she’s not changing the world and leaves.
In March, the animosity between Hindus and Muslims decreases. The school plans to open by the end of the month after Holi, the festival of colors. They visit Ma in prison. She looks ill and tells them that she and the others are fasting. Baba and Anjali point out that Gandhi finished his fast, and when Ma tries to convince her that she must do this, Anjali reveals that Mohan is gone and that she feels alone, especially since Irfaan isn’t talking to her. She plans to continue her fight, but Ma can’t quit either. She tries to make Ma promise to eat, but Ma’s only response is “Jai Hind” (230).
More graffiti is painted on Anjali’s family compound. She leaves the house and spots Irfaan, who ignores her. Then, she goes to the school and finds that her classroom was looted, and much of the furniture was destroyed. When she turns, she runs into her father. She feels like “[e]verything is going wrong” (234). She tells Baba that Mohan isn’t trying to fight, and Baba reminds her that his life has always been tough, that he’d been willing to support her school integration, and that only Mohan can decide what he needs to do to survive.
Then, they talk about Irfaan, and she explains that he blames her for what other Hindus did, admitting that she did the same with Muslims. Irfaan just needs time, but Anjali is tired of waiting. Unfortunately, Baba’s efforts to free Ma from prison have had no results. Anjali decides to visit Captain Brent.
Outside Captain Brent’s office, Baba and Anjali spot the woman whose son was just hanged. They apologize for her loss, and she chastises them for Anjali’s mother’s actions, noting that if she’d focused less energy on Dalits and more on “her own kind” (240), her son would be alive. Baba reminds her that the Dalits are no different from them.
When they go inside, Anjali explains that she needs help. She thinks that Captain Brent must have a heart since he saved her before and since Ma worked for him for a year. She tells her father that she’s going in alone.
Anjali tells Captain Brent that her mother was arrested because she wanted to bring Dalits to Anjali’s school. Captain Brent agrees that every Indian is the same to him and that he’s sorry her mother was arrested. Anjali asks him to pardon her, but he refuses, saying that Ma was arrested for inciting violence with her actions and words, not for trying to integrate the school.
As she leaves, Anjali points out that the violence hasn’t stopped since her mother was imprisoned, and she hears Captain Brent’s pen drop out of his hand.
The theme of Nonviolent Protest and Working for Ahimsa continues in this section through the challenges facing many of the characters. As the riots remain violent, Keshavji wonders, “Is this what Gandhiji has taught us? For us to become monsters?” (193). Fewer people are showing up to meetings, likely both out of fear and being involved in the riots, and the freedom movement in Anjali’s village seems in jeopardy. However, Ma’s dedication shows the growing leadership role she has taken on, as she emphasizes, “We must show them that nonviolence is the way to go. […] Like Gandhiji said, even a small number of dedicated people can alter the course of history. And alter it we will” (195). Ma’s arrest emphasizes how the government has come to see her as a threat, using her work and its revolutionary nature as an excuse to arrest her. Shortly after this, Anjali also seems to solidify her leadership in the freedom movement, but her validation comes from a different source: Mohan. As the person who has been most openly skeptical of her efforts to achieve equality for the Dalits, Mohan moves Anjali deeply when he comments, “Your mother may not be able to participate in the movement while she is imprisoned, but her work is living on in you” (211). His compliment helps her keep faith during a time when she’s feeling hopeless after her mother’s arrest. However, his belief in the movement is short-lived, and this challenges Anjali too. Seeing her neighbors nearly beat her friend to death reminds her that change is difficult and has real consequences that may not directly affect her. Like her mother’s feeling guilty for burning the clothes, Anjali wonders if it’s her fault that Mohan is injured because she encouraged him to sell his necklaces in the first place. This moment is pivotal as she questions herself but ultimately chooses to remain committed to the freedom movement.
Baba helps Anjali understand that Mohan isn’t giving up on the movement; instead, he has always experienced struggle, which connects to the theme of Recognizing One’s Privilege as Part of Solidarity. Baba reminds her, “He isn’t giving up on you. He isn’t quitting because things got tough. It has always been tough for Mohan” (234). Baba’s reminder helps Anjali see Mohan’s perspective better, echoing the boy’s statement: “We walk the same path, but our experiences are so different” (209). The stakes of the freedom movement will always be different for Mohan, since the Dalits’ standing in society is on the table.
In addition, the theme of Internal and External Conflicts of Religion and Nation builds in this section as the riots continue to stall plans to integrate the school. The problems between Hindus and Muslims remain, and the unrest resulting from Ma and Anjali’s efforts to bring equality to the Dalits only accentuates these problems, in the minds of both the British and some Indian citizens. As the woman whose son was hanged told Baba, “If your wife had spent a little less time with those people and a little more time worrying about her own kind, he could’ve been saved” (240). Her comment speaks to a difficulty navigating the many problems within India during this time. The fears over Muslims leaving should British rule end indicates larger internal religious dynamics that split the nation, and peoples’ perspective that Dalits aren’t Indians worth fighting for detracts from the mission of the freedom movement, which seeks to find unity and promote peace among various groups of Indian citizens. Further complicating these factors for Anjali is her realization that she needs Captain Brent’s help, so although the movement ultimately seeks to end British rule, she pleads with him to free her mother from prison, as finding sympathy from a British officer seems the only way to enable Ma’s release. Indeed, while Captain Brent’s pardon ultimately frees Shailaja, it critically comes because he sees the good work that Anjali is doing. This section of chapters builds toward his willingness to listen to Anjali and develop respect for her, as Brent expresses genuine sadness at Ma’s being in prison, even if he refuses to help at this point.
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