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Finch describes his increasing inability to maintain focus; he stares out the window at school and asks himself, “How long was I doing that?” (266). He forgets words immediately upon hearing them and attempts to counter this situation by performing relaxation exercises, breathing deeply and counting. He climbs the bell tower to clear his head, but he is still unable to comprehend anything that he reads. Similarly, he cannot comprehend conversation between Charlie and his other friends during lunch; during geography class, he is unable to write notes. He describes the feeling as comparable to being caught in a vortex or quicksand.
Violet watches him carefully, and Finch tries to act naturally and smile to allay her fears. During his subsequent counseling appointment with Mr. Embry, who notices the boy’s distress, Finch attributes his state to his disappointment with his father. Finch fights the urge to cry, but reminds himself, “Don’t call attention” (270). The young man ruminates about the suicide of the Russian poet Vladimir Mayakovski and is horrified to realize that he has spoken these thoughts aloud. Mr. Embry, clearly concerned, questions him about his visit to the tower that morning. He also brings up bipolar disorder, explaining that it “causes extreme shifts in mood and energy. It runs in families, but it can be treated” (271). Finch is anxious about being labeled with a psychiatric diagnosis and realizes that this behavior characterizes his father. As he leaves the session, Mr. Embry reminds him, “You are not alone,” but Finch notes that “[w]e are all alone” (272).
The following morning, Roamer passes Finch in the hall and murmurs the word “Freak” (272). Finch, who thinks that the consequences of this label are all Roamer’s fault, wraps his hands around the boy’s throat and chokes him. Finch’s rage makes him very strong; four people are required to pull him away from Roamer. While being dragged away, Finch tells Roamer, “You will never call me that again” (273).
Finch, who is now in a manic state, calls Violet demanding that she leave school immediately to view another historical site, followed by visits to Kentucky, Illinois, Michigan, and Ohio. Violet, who is wearing a flower from Finch’s bouquet in her hair, points out that it is too late on a school night to leave on this adventure; she suggests the following Saturday as an alternative date. Finch is angry. He casually mentions that he was expelled from school, tells her that he would rather go on the trip alone, and hangs up on her.
Finch drives to New Harmony, Indiana, hoping to see the Nest Houses that were woven out of saplings by a local artist. He is told that they were “eaten up” by the weather and elements. Once again, Finch is saddened by the memory of the cardinal who died after flying into the window of his family home many years earlier.
Upon his return home, Finch looks at himself in the bathroom mirror and thinks, “I am disappearing. Maybe I’m already gone.” He is fascinated by this occurrence. He enters his closet and tries to breathe quietly so that he does not “wake up the darkness.” The following morning, he deletes a phone message that Mr. Embry left for his mother, requesting that she call him back about an important situation. He returns to his room and enters the closet again, convinced that “if I leave, I will die” (277). Finch suffers from recurrent, intrusive thoughts telling him that he is broken and unlovable and that Violet will realize this shortly.
Finch eats a silent dinner with his mother and Decca. Afterward, he swallows a bottle of sleeping pills that he finds in his mother’s medicine cabinet but finds that “[t]here’s no acclamation” (278), that this would not be a heroic demise. He leaves the house and runs to the local hospital, where he explains what has happened and requests treatment. He awakens hours later and is asked to complete paperwork. He realizes that he has identified himself as “Josh Raymond,” the name of his stepbrother.
Realizing that hospital authorities will notify his parents of his overdose, Finch dresses and exits the facility when the nurse is distracted. He walks home alone.
Finch attends a support group for suicidal teenagers called Life is Life, which meets in a town in Ohio. He is avoiding Violet because he does not want her to see his distraught emotional state. The counselor begins by talking about suicide statistics. The participants introduce themselves and think of a phrase related to “how good it is to be alive” (283). Finch uses Josh Raymond’s name instead of his own.
A latecomer arrives at the meeting. Finch is surprised to see Amanda Monk, one of the popular girls at school and Roamer’s girlfriend, who introduces herself as “Rachel.” She reveals that she’s bulimic and has made two suicide attempts. Finch realizes that he is the only person at the meeting who has not made a true suicide attempt; he thinks, “When I actually try, I’m not going to miss” (284). He finds the meeting heartbreaking and wants to disassociate himself from people who define themselves by the category of their mental illnesses.
Finch chases after Amanda in the parking lot and assures her that he will not tell anyone about her presence at the meeting. She admits that she still contemplates suicide and tells Finch, “[N]ow you know that you’re not the only freak” (286).
After three days of not hearing from Finch, Violet asks to borrow her mother’s car, although it is snowing. She lies and says that she wants to visit a girlfriend at the other side of town. She drives directly to Finch’s house and introduces herself to his mother. Kate enters the kitchen and puts one of her frozen casseroles in the oven, reminding her mother to listen for the timer.
Violet finds Finch in his bedroom, dressed in pajamas. She notes, “The room has been stripped bare, down to the sheets on the bed” (290). Finch explains that he has cleared out clutter and apologetically tells her that he is still not feeling well.
He shows her his closet, which is stocked with his guitar, computer, books of musical staff paper, and a photo of Violet. Finch says that he is able to think better in the closet. He invites Violet to post “positive” words on the wall and “negative” words on the floor. The couple has sex in the closet; afterward, Violet feels that “he went away for a minute and only part of him came back” (293). He explains that he sometimes experiences “black moods” and tells her the story about the cardinal that flew into the window of the house, which was the cause of the first “black mood.” She realizes that he is living in the closet now. He tells her that this strategy has worked for him in the past, and that he will recover soon.
Violet’s parents are unaware that she has resumed her relationship with Finch. She feels guilty when her father tells her he is proud that she drove to a girlfriend’s house after school; in fact, she was having sex with Finch in his bedroom closet that afternoon.
This entry from Finch is sparse. It quotes a line by the Italian poet Cesare Pavese, who died by suicide: “The Cadence of suffering has begun.” A notation, assumedly made by Finch, appears in the format of one word per line underneath this quote, stating, “I am in pieces” (297).
Amanda swears Violet to secrecy before telling her that she met Finch at the “Life is Life” support group for suicidal teens. She reveals that Finch told the group he had swallowed pills and received treatment at the hospital.
After school, Violet rides her bicycle to Finch’s house. When no one answers the door, she throws pebbles at his bedroom window to no avail. She contacts him on Facebook, and he asks that she come to his house the following evening to celebrate his birthday.
When Violet arrives at Finch’s house the following evening, she finds him in his room and dressed in a suit. He has changed his persona again, and he appears older and more sophisticated than he has in the past. She tries to bring up the Life is Life meeting, but he seems so much more like himself that she is reluctant to do so. He has her close her eyes and, upon opening them, she realizes that the walls and ceiling of his room are painted with planets and stars. Finch has provided containers of Chinese food and a bottle of cold vodka. The couple discuss a variety of topics, but they avoid talking about Finch’s mental state. Violet gives him his birthday gift, which is a first-edition copy of The Waves by Virginia Woolf.
After they eat, Finch launches into a philosophical explanation of black holes, noting that, “Being sucked into a black hole would pretty much be the coolest way to die” (305). When Violet reminds him that there may be nothing on the other side of a black hole, Finch retorts that there may be an unimaginable new world.
Violet tells Finch that he is the best friend that she has ever had, and then she weeps uncontrollably. She explains that she is worried about him and is aware that he attended the suicide support group meeting. She wants to help him, and he angrily explains, “I don’t need help” (106). He wants to be known as a person rather than a “compilation of symptoms” (107). He gives her a “hard, awful smile” (106). He tells her that the closet in which they are sitting is overly crowded and that he had warned her that his mood would change.
When Violet arrives home, she tells her parents the truth about her continuing relationship with Finch and asks for their help. She explains that Finch had saved her from jumping off the tower at school and that now, “he’s up on that ledge. Not literally” (308). Mrs. Markey leaves a phone message for Finch’s mother, and Mr. Markey contacts a friend who is a psychiatrist, hoping to get help for the boy.
The Markeys visit the Finch home the next day when Mrs. Finch does not return their calls. The psychiatrist speaks to Decca by phone, but Finch is not in his bedroom or his closet. Violet sends him a text apologizing for their argument.
When she has not heard from him by the following Tuesday, Violet visits his home. Finch is not in his room or his closet; his guitar and Violet’s photograph are missing, as well. Decca tells Violet that Finch sometimes leaves in such a manner, but “He always comes back” (313). Violet notices that the car Finch drives, the Little Bastard, is gone as well.
Finch writes a short entry in which he attempts to answer a question posed by the poet Robert Lowell, “Yet why not say what happened?” (314). The young man is unsure of the answer, as well as which of his feelings are real and which of his personas is genuine. He believes that during his time with Violet he was his “best self” and remembers the feeling of her hand in his own (315).
Finch’s writings reflect his deteriorated emotional state and describe the anguishing symptoms of mental illness that he is experiencing. He depicts an inability to focus, read, write, speak, or think clearly. His initial concern is whether others notice his difficulties, as when he catches himself staring out a classroom window and wonders, “How long was I doing that?” (266). He peers into a bathroom mirror and watches himself “actually disappear before [his] eyes” (276). He is unable to maintain boundaries between his imagined and verbalized thoughts; thus, during a counseling session, he unknowingly quotes aloud from the suicide note of a Russian poet. Harbingers of his suicidality abound. His bedroom is no longer a haven but a site that triggers agoraphobia, so he seeks refuge in the womb-like safety of his darkened closet, where he is careful not to disturb “the darkness” by breathing too loudly, out of fear of what it will do to him, “or to Violet or to anyone I love” (277).
As in previous sections, the adults in the novel mean well and hope to help but do not realize the extent of Finch’s deterioration or do so too late. He is surrounded by family members, albeit flawed ones, who love him but are unwilling or incapable of recognizing the depth of his despair. Mr. Embry, Finch’s school counselor, makes futile efforts to connect with an adolescent who has learned to mask his suffering and hide pertinent details about his condition. The counselor appears to be on the correct path when he mentions bipolar disorder and the fact that this treatable illness may have a genetic component. Finch, however, is appalled by a comparison of his own behavior with that of his abusive father’s. Finch glibly explains away the “warning sign” of having climbed the school tower the preceding day; this critical moment seems to have been the one when Embry might have been helped.
The ostracism of emotionally fragile children by cruel peers is highlighted here as well. Finch traces his designation as a “freak” to Roamer, who gave the boy this nickname after a grade school conversation in which Finch shared his feelings of disassociation and unreality. Violet also experiences social exclusion because of her relationship with Finch.
This outward ostracism is, however, belied by personal struggles in some of the characters. The suicide prevention group that Finch attends has a surprising participant in the popular, sharp-tongued Amanda Monk, who uses an alias in the session. She confesses that she is bulimic, suicidal, and self-loathing; Finch realizes that he is not the only one who is “broken,” but this realization is of no use. Gentle despite his suffering, he advises Amanda that he will not tell anyone he saw her at the meeting.
Aspects of the story convey a system broken almost beyond credibility. Specifically, Finch lied when he told his counselor years earlier that the elder Finch had been killed in a hunting accident; however, no confirmation of this account was ever attempted by school authorities. Similarly, after Finch swallows sleeping pills and sprints to a nearby hospital where he pleads with a staff person to “[g]et them out of me” (279), he absconds from the emergency room, and the hospital and law enforcement make no apparent efforts to locate him. After his last meeting with Finch, Mr. Embry is sufficiently concerned about ’him to contact his mother, yet he makes no subsequent contact efforts when she fails to return the ’phone call.
Violet also attempts to help Finch but lacks the resources to do so. She is an idealistic young woman who is in love with Finch. She is desperate to help him, but the complexities of his condition defy her comprehension. Following a romantic interlude in Finch’s closet, she realizes that “his eyes are fixed on something above” and that he “went away for a minute and only part of him came back” (293). His mania baffles her; when he suggests a road trip of hundreds of miles on a Tuesday afternoon and she counters with an alternative weekend date, he responds angrily, “I’d rather go alone anyway” (275). Her own family structure is shakily rebuilding after the death of her older sister, and she feels guilty when she lies to her mother by telling her that she needs the family car in order to visit a girlfriend, rather than the forbidden Finch. Guileless and naive, she angers Finch when she tries to talk to him about his participation in the suicide support group; his cold response cuts her to the quick, but she thinks “he’ll find a way” to function if he truly loves her (307).
The biggest disparity between the two lies in their respective family structures. Finch’s mother, degraded, abused, and devastated by her ex-husband, resorts to magical thinking and self-medication with wine to overcome her pain. Finch’s 18-year-old sister, Kate, effectively manages the household. Mandatory weekly visits to his abusive father merely anger and depress Finch further. When Violet arrives at the Finch home to ask Finch’s whereabouts, she is told that he often disappears for several days at a time but always comes back. Conversely, Violet’s parents, while still grieving the loss of their older daughter, leap into action when they learn of Finch’s suicidality. They are disappointed that she lied to them about continuing to see Finch; nonetheless, they immediately try to help a young person who is in danger.
Finch’s last entry in this section, makes clear that his thoughts are fragmenting; nonetheless, he recalls his happy time with Violet and the sense that “someone belonged to me” (315). Clearly, he is winding down. On the other hand, Violet, despite her grief for her sister and her angst about Finch, is wounded but essentially resilient and increasingly functional.
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