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61 pages 2 hours read

Betty

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

A Faraway Place

Content Warning: This section mentions depression, self-harm, attempted suicide, child sexual abuse and rape, termination of a pregnancy, drug overdose, and death.

For the three sisters, A Faraway Place symbolizes hopes and dreams. Landon builds the stage because Cherokee women always built stages on which they would sing to scare off predators and nourish the garden. The existence of the stage is an expression of Landon’s hope to carry on his culture and traditions. The girls name it A Faraway Place to signify that it feels like an entirely different world in which they can make art, play, and live out their dreams. Describing the power of A Faraway Place, Betty says that “the whole world [i]s right there and it [i]s large enough for the dreams of three girls” (69). They do impossible things there, like resurrect the dead, ride on the backs of flying birds, and share a single imagination.

As the realities of adulthood begin to intrude on their worlds, the girls turn to A Faraway Place for comfort and hope. When their mother cuts her wrists, Fraya cuts two slits into the stage in the hope that it will heal their mother. When Fraya cuts her wrist, Betty cuts the stage again. Fraya sings at A Faraway Place the night she tries to use bark to end her pregnancy. A Faraway Place is where Betty spends her time writing, dreaming of different worlds and hoping for different futures, and it is where she buries the stories of the women in her family. It is where Fraya keeps the shotgun she uses to shoot at the sky at night. A Faraway Place belongs to the three sisters as a corner of the world where they can be free of men. In the final chapter, when Alka asks Betty where she’ll go when she leaves Breathed, Betty tells her mother that she is going to “a faraway place” (461). By leaving her town, she begins to pursue the hopes and dreams that she held as a child with her sisters.

Landon’s Cane

Landon’s cane represents the support that he derives from his undying love for his children: As his body deteriorates as a result of his difficult work and shattered knee, he leans increasingly on their light. He carved into his cane the faces of each child in birth order, including Waconda and Yarrow, who died in early childhood. Each face is accompanied by something that Landon associates with the child—for example, a rainbow to symbolize Trustin’s art and a raven’s feather to symbolize Betty’s writing. He sees the individuality in each of his children and encourages their expression. When he dies, Betty takes his cane with her on her journey away from Breathed. At that point, four of her siblings are dead, with one lost to addiction, and one has proven to be a monster. Betty takes the cane to remind her of her father’s absolute faith in his children. It also reminds her of a time during which they were all alive, untouched in their father’s eyes by the tragedies of life.

Yellow

The color yellow represents the pursuit of happiness. In Chapter 1, Alka tells Landon that she wants a lemon grove because “How can you not be happy with all that yellow?” (11). She later wraps her head in cellophane in an effort to see the world through the color yellow. When Betty removes it to help her breathe, she slits her wrists at the sight of the non-yellow world. Alka spends much of her adult life depressed and yearning for happiness. Unable to find it anywhere else, she turns to the color yellow. After her suicide attempt, Landon creates a lemon grove for her. Alka chases yellow as she chases happiness, but she can never grasp either completely.

When Fraya nearly dies after using the bark, her mother replaces her ruined sheets with yellow ones. Fraya adores dandelions, making lotion out of them and eating them at every chance. When she leaves Shady Lane, she works at Dandelion Dimes, where everything is yellow, including her apartment above it. Fraya inherits her mother’s curse because Leland does to her what Alka’s father did to Alka. They are both trapped in a childhood taken by their abuser, and they both turn to the light in order to make it through.

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