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35 pages 1 hour read

Cato, a Tragedy

Fiction | Play | Adult | Published in 1713

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Act IVChapter Summaries & Analyses

Act IV Summary

Marcia and Lucia speak in a chamber. Marcia explains she cannot be with Juba because of her father, but she does not want to be with Sempronius. “I like not that loud, boist’rous man,” she says (43). The two exit and Sempronius enters, disguised as Juba. He is soon met by the real Juba, however, and though Sempronius attempts to attack him, Juba stabs Sempronius first. “Am I then doom’d to fall / By a boy’s hand, disfigured in a vile / Numidian dress, and for a worthless woman?” Sempronius asks before he dies (44).

 

Juba exits and Marcia and Lucia enter, finding Sempronius’s body. Marcia mistakes it for Juba and mourns him, calling him the “best of men” (45). Juba overhears this and reveals himself, and Marcia admits that her “love […] has broke through all / Its weak restraints” and she cannot conceal it any longer (47). She leaves and wishes Juba well in war, telling him to “prosper in the paths of honour” so that his “virtue will excuse my passion for thee” (47). Juba resolves that his fate in battle does not matter as much to him as his fate with Marcia, saying, “Let Caesar have the world, if Marcia’s mine” (47).

 

In Scene 2, Cato and Lucius are talking when Portius enters and reports that Syphax is attacking Marcus’s troops. Cato tells Portius to go and see that “Marcus acts a Roman’s part” (48), expressing sadness to Lucius that “the conquer’d world / Is Caesar’s” (49). Lucius attempts to convince Cato to give up so that he can stay alive and “reconcile thy mighty soul to life” (49). Juba enters and Cato praises his virtue before Portius re-enters, telling Cato that Marcus killed Syphax and was then killed himself in battle. Cato praises Marcus for dying for Rome, saying, “Thanks to the gods, my boy has done his duty,” and Marcus’s corpse is brought into the room (50). “How beautiful is death, when earned by virtue!” Cato exclaims before praising Rome; Juba expresses surprise that “Rome fills [Cato’s] eyes / With tears, that flow’d not o’er his own dear son” (51).

 

Cato admits that Caesar has been victorious and tells his friends that while he is “out of danger,” he wishes for them to be safe and ask Caesar for mercy (52). “Let [Caesar] know, / Whate’er was done against him, Cato did it,” Cato says, adding that they should ask Caesar that “the virtue of my friends may pass unpunish’d” (52). Cato tells Portius that he should retire to the “Sabine field” and lead a “rural life” away from the others (52). “When vice prevails, and impious men bear sway, / The post of honour is a private station,” he says, and Portius hopes that Cato isn’t recommending “a life to Portius that he scorns himself” (52). Cato bids his friends farewell and tells them that there are ships prepared that can take the men anywhere they want if they “dare not trust the victor’s clemency” (53).

Act IV Analysis

The first scene of Act IV is notable for Sempronius’s death, as he is ultimately killed by his sense of ambition and personal gain due to his deceptive attempt to kidnap Marcia for himself. He has no final moment of moral clarity; Sempronius is selfish and wicked to his death, cursing Marcia as a “worthless woman,” discriminating against the Numidians, and wishing for Cato to “tremble” with his final breath (44).

 

As the play punishes Sempronius for his ambition, though, it finally rewards the feelings of Marcia and Juba, who overcome their previous adherence to virtue to commit to each other. Marcia does acknowledge her sense of virtue even as she yields to her feelings, telling Juba that she hopes he is victorious in battle so that his virtue “will excuse my passion for thee” (47). Juba, however, is immediately driven by his own good fortune, as he quickly acknowledges that Caesar can win out and “have the world,” so long as “Marcia’s mine” (47).

 

The second scene, conversely, emphasizes just how strictly Cato values virtue over his personal emotions, as his reaction to Marcus’s death is not one of sadness and grief, but rather pride and happiness that his son died gloriously in battle. He mourns only the loss of Rome, saying, “Let not a private loss / Afflict your hearts. ‘Tis Rome requires our tears” (51). Building off of his speech at the end of the last scene, Juba’s response further emphasizes Cato’s outstanding virtuousness and the difference between the two men, as Juba expresses amazement—and seemingly respect—over how “Rome fills [Cato’s] eyes / With tears, that flow’d not o’er his own dear son” (51).

 

This scene also marks a major turning point in the plot, with Cato accepting Caesar’s victory. He also resolves to die, marking the ultimate adherence to his principles by sacrificing life over liberty. “Caesar shall never say, he conquer’d Cato,” Cato says (52). Though Cato doesn’t mourn his son, this scene highlights Cato’s sense of compassion for those around him, as his primary concern is the safety of his friends.

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