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66 pages 2 hours read

East of Eden

Fiction | Novel | Adult | Published in 1952

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Part 1, Chapters 1-4Chapter Summaries & Analyses

Part 1, Chapter 1 Summary

Two mountain ranges frame the Salinas Valley. The Gabilan Mountains to the east are full of sun, as welcoming as a mother’s embrace, while the Santa Lucia Mountains to the west are brooding and dark. A river that runs through the valley, also called the Salinas, often floods and destroys homes. The valley itself is leveled by its past as the bottom of an inlet from the sea. Fertile and large, the valley hosts spectacular springs of beautiful flowers blooming so vividly and tall that a person can’t even see someone else walking through. In the extremely dry summers that characterize the valley, the ground cracks up and becomes dust. Life in the valley is a gamble. Sometimes the rain is plentiful, while other times droughts ruin people’s lives for many years.

Several societies had lived in the Salinas Valley. After the Indians came the Spaniards and then the Americans. The narrator dismisses the time of the Indians as unsophisticated in comparison to the Spaniards, who conquered vast swaths of land and named the valley. When the Americans took over, they changed the names to reflect people and events. During the arduous first American settlement, the narrator’s grandfather settled with his wife near King City.

Part 1, Chapter 2 Summary

Samuel Hamilton and his wife move from the north of Ireland to the Salinas Valley. He’s from a good farming family and is the first in his centuries-old lineage to leave the family farm. Samuel is excellent at manual labor and inventive in new ways to accomplish tasks but has difficulty making money. His wife, Liza, is steadfast and conservative, and although their personalities seem mismatched, Samuel is a dutiful husband. By the time they get to the valley, its most fertile land has already been claimed. Samuel and Liza homestead in the barren hills of King City and have nine children. They add a quarter-section of land to their ranch for each child, thereby growing their ownership, but the land itself is dry and inhospitable. Samuel builds a blacksmith shop, but his family is always poor because he’s bad at business and doesn’t collect what’s owed to him. He’s good with babies and often helps women through their birthing process. While Samuel’s personality is exuberant, Liza is conservative, and her character is shaped by the belief that God’s plan is to have his people on Earth work through a hard life to receive their rewards in the afterlife.

King City is home to many European immigrants, who move there to own land, an unthinkable prospect in their feudal home countries. However, the land they can afford yields nothing, so they continue through life mired in poverty. Meanwhile, people who have money—like Adam Trask—can afford to buy houses on fertile farmland.

Part 1, Chapter 3 Summary

Adam Trask comes to California from Connecticut. His father, Cyrus, faked his way through military service and came home with “the clap,” a sexually transmitted disease that shocked Adam’s deeply religious mother so much that she killed herself for having it. Shortly after her funeral, Cyrus remarried. His second wife, a young girl named Alice, was steadfast but quite ill. Alice gave birth to Adam’s half-brother, Charles. Cyrus became more obsessed with his tall tales of heroism and military culture, created a career out of analyzing military strategy, and forced his two sons to participate in home drills.

Eventually, Adam realizes that Cyrus’s strict military decorum in the house is to flatter his own ego, not for his sons’ wellbeing. This realization devastates Adam, cutting the childhood admiration of son for father. Nonetheless, Adam is an obedient child, rather quiet with a rich inner self. Charles, conversely, is a natural athlete, assertive, and protective of his gentle older brother. Although the boys are different and don’t have the same mother, Alice and Cyrus at first treat them equally in upbringing and care. However, Alice seems mysterious and hidden to her stepson, Adam. One day, Adam finds Alice smiling to herself. Adam has never seen her smile before, and his reaction to her secret smile is a physical and emotional wave of passion, feelings that he is unfamiliar with and confused by. Adam begins leaving Alice little gifts around the home and spies on her to see if she smiles when she sees them.

The prospect of being sent away to the military challenges Adam’s sensitivity: “It was Adam who needed the army to make a man out of him. Charles was pretty near a man already. And Charles was a man, and a dangerous man, even at fifteen […].” (22). The boys grow close despite this opposition in their personalities. However, one day, when the boys play a game called peewee, Adam uncharacteristically wins. Full of anger and apparent hatred, Charles beats Adam to unconsciousness. Alice witnesses this but says and does nothing. Later, Adam notices that his father treats him much more gently than before the beating. They have long, deep conversations with one another, separate from Charles. Adam tells Cyrus he doesn’t want to enlist in the army, but Cyrus insists that it’s the only way Adam will learn how to conquer fear and live a courageous life. Cyrus tells Adam that Charles will not be going into the army, since Charles has violence in him and will never learn how to work in a unit. Cyrus reveals a further surprise to Adam: that he loves Adam more than he loves Charles, which is what drives his rules and regulations for Adam.

Later that night, Charles and Adam go for a walk together. Charles demands to know what Adam and their father were talking about. When Adam doesn’t give an answer that satisfies Charles, Charles loses his temper. In a fit of rage, he reminds Adam that their father favored the Christmas gift Adam game him over Charles’s gift and accuses Adam of stealing their father away. Charles gives Adam another brutal beating. When Adam regains consciousness on the road, he hears footsteps and hides in a nearby ditch. Charles has returned, looking for Adam with a hatchet in his hand. When Adam finally makes it home safely, Cyrus and Alice are shocked. Cyrus takes his gun out, and Alice helps Adam get cleaned up. While she’s caring for Adam, Alice assures him that Charles isn’t all bad, that to know him is to understand his kindnesses. She believes that Charles is the one who has been hiding the little gifts around the house for her.

Part 1, Chapter 4 Summary

Charles stays away from home for two weeks when he hears that his father is looking for him with a rifle. Adam convalesces and is sworn into the cavalry while still healing in bed. Adam spends five years in the cavalry, helping clear the West of Indian tribes, which “was not nice work but, given the pattern of the country’s development, it had to be done” (34). Fighting repulses Adam, and he misses shots on purpose. Adam becomes obsessed with nonviolence, but his lack of action doesn’t hurt his standing or reputation in the army.

Back home in Connecticut, Alice dies of consumption, and Cyrus gets a job in the Grand Army of the Republic in Washington, DC. Charles writes Adam long letters that surprisingly bare his soul, bringing Adam and Charles closer even though they’re far apart. One day, Adam receives a strange letter from Charles. Charles is spooked by the sounds in the now-empty farmhouse and returns to his resentment that Cyrus didn’t use the knife Charles had gifted him for Christmas. He refers to beating up Cyrus but doesn’t apologize. Adam keeps this letter because it concerns and chills him more than the others.

Part 1, Chapters 1-4 Analysis

Juxtaposition characterizes the novel’s first four chapters. In setting the scene, Steinbeck focuses on the physical opposites that define California. The imagery of the Salinas Valley in the novel’s first pages depicts a place both beautiful and gritty, magnificent and cruel, heaven and hell. The landscape acts as its own character in that it influences the stories and characterizations of the people who live there. In addition, the Salinas Valley imagery speaks to the economic and emotional wellbeing of the characters. Living in one part of the valley might make you wealthy, while living in another part makes you destitute. This battle between success and failure, a battle that is evident foremost by the immovable Earth, helps Steinbeck establish his overall theme that humans are constantly in negotiation with a difficult and often cruel nature that they can’t control. Furthermore, Steinbeck’s contrasting the Gabilan Mountains against the Santa Lucia Mountains symbolizes light versus darkness, or the constant struggle for humans to live with good and evil.

Further reflecting the juxtaposition inherent in the Salinas Valley is how people there live. Steinbeck describes these communities as forgetting the good times when the bad times come and vice versa. Constant flux between two opposite extremes (poverty and wealth, success and failure) implies a survival instinct and fortitude common in early American settler mentalities. These people pull themselves up by their bootstraps and keep moving forward, motivated by their status as landowners and inspired by the freedom they associate with home ownership. Steinbeck emphasizes juxtaposition through his descriptions of the setting, the ways in which characters interact with the setting, and the relationships between characters. Samuel Hamilton, for example, is almost too good but is balanced by his uptight and conservative wife. Steinbeck suggests that Samuel couldn’t be the way he is without the opposite personality that his wife manifests, just as the land of the Salinas Valley can’t feel as wet in rainy seasons without the desolate dryness of other seasons.

The most significant juxtaposition is one that produces the novel’s first major conflict. Adam and Charles are half-brothers and opposites in important ways. Adam is sensitive, kind, thoughtful of others, and conscientious: He knows how to make people around him happier. Charles is abrasive, aggressive, and prone to fits of intense violence. While the brothers are close in some ways, the juxtaposition in their temperament threatens the very foundation of their family. Adam and Charles are an obvious biblical allusion to the story of Abel and Cain, in which Cain can’t control his envy that Abel is the favorite in their father’s eyes despite Cain’s hard work and physical dedication. Charles, like the Salinas Valley, is complex and has good and bad sides. Steinbeck suggests that because his violence is not by choice but seemingly by nature, it would be difficult to completely sign Charles off. He adds a significant moral story to the novel, whether in juxtaposition with Adam or as an individual character. The letter that Charles writes Adam about ghosts and Charles’s disappointment that his father didn’t appreciate his Christmas gift highlights that Charles is not completely unaware of his flaws.

Cyrus further complicates the story of Adam and Charles. As their over-empowering father, he symbolically acts as God, deciding on what his family’s lives will entail. In the Bible, fathers are seen as all-powerful second only to God, or “Our Father Who Art in Heaven.” Steinbeck develops Cyrus, the father figure, as a problematic and flawed caregiver. He isn’t honest about his own military experience yet manages to manipulate others and even himself into respecting his false military expertise. He runs his home like a military training camp for his own sake, not for his family’s benefit. Worst of all, he reveals to Adam that he loves him more than Charles. This raises the question as to what anyone might gain when Cyrus demonstrates, even professes, more love for one son than the other. Cyrus’s lack of concern for how his affections might influence his sons helps invite sympathy for Charles. Charles envies Adam their father’s love, a particularly interesting preference given that Charles seemingly embodies everything Cyrus admires in the military. Charles is more like Cyrus than Adam is, but this juxtaposition between father and son may make Cyrus love Adam more.

In the context of these juxtaposed characterizations, Steinbeck spurs the question of whether people are inherently who they are or they can change. When Charles acts with extreme violence, both his parents make the excuse that that’s just who he is, and to know him is to know his layers and therefore to love him. The suggestion that Charles, like all other humans, can’t control what’s in his nature foreshadows future conflicts Steinbeck explores regarding free will, the way people treat one another, and how we reap what we sow.

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