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Amanda wakes Nina up and helps her pack her things, reluctant to be separated from her daughter for even a moment. However, as she packs, Amanda starts to think that her fear validates Carla’s crazy story. Instead of leaving immediately, she decides to apologize to the woman and convince her that nothing is wrong with David. In the hospital bed, David tells Amanda that this is “a mistake”; it is the moment where everything will start to go wrong.
Amanda drives to the farm where Carla works. She tells the other woman that her husband needs her back in the city, but Carla insists on showing Amanda Omar’s stables before she leaves. Amanda agrees, and she and Nina go outside, waiting for Carla to finish her work. In the driveway, a group of men unload large plastic drums from the back of a truck. They wear plastic gloves for protection, and Nina sits in the grass, fascinated by the activity.
David interrupts to tell Amanda that they have arrived at the important moment. He presses her to describe the details of the scene, but Amanda insists that there is nothing else. She feels no sense of danger. On the contrary, everything “happens slowly and pleasantly” (86). She and Nina enjoy watching the men work; nothing is out of place. When Nina stands up, however, she complains that she is wet. Amanda notices that her clothes are wet, too, but she tells her daughter it’s just dew and will dry quickly. Nina sniffs her hands, saying that they smell “really gross.” David keeps interjecting, insisting that Amanda pay close attention, that the danger is imminent.
Amanda starts to feel the rescue distance tighten, but she still doesn’t understand the danger. She forgets about the liquid she assumes is dew and goes with Carla to Omar’s stables. The stables consist only of burned ruins and an old well, which Nina dances around. Carla tells Amanda more about David after his illness. She says that first, the spots on his skin upset her. Soon, however, she noticed more sinister things. He would answer questions with the phrase, “That is not important” (96), something he had never done before. One day, Carla saw David doing something in the backyard. She went out to check on him and found him digging a hole with a plastic shovel. A dead duck lay on the ground next to him. Carla watched as David buried the creature with tears streaming down his cheeks. A few days later, another duck stumbled into their yard and fell dead right before David. Slowly, a collection of little graves grew in the backyard as David added more ducks and even a dog to his graveyard.
In this section, Amanda and David finally reach the moment they have been searching for, but the tragedy is so subtle Amanda cannot see it. As she describes sitting with Nina in the grass, David tells her, “This is the important thing” (84). However, nothing seems out of the ordinary or remotely dangerous. Nina and Amanda happily watch the men unloading the plastic drums as a “pleasant” breeze blows. Despite the calm, some sinister details point to the danger. The men wear “long plastic gloves” (83), which suggests that the barrels contain some kind of toxic chemical. Furthermore, Amanda hears the sound of something “plastic” falling, and another drum is “left alone in the doorway to the shed” (84). These details are at once mundane and foreboding, connecting danger with routine, permitted practices. The dropped drum threatens a chemical spill, and the unsupervised barrel suggests the opportunity for its contents to be compromised. However, none of this happens—the pollutant that poisons Nina and Amanda is already in the grass, hiding in plain sight as “dew.” Pollution has worked its way so deep into the earth that it can no longer be seen for what it is, underscoring the extent of Environmental Contamination and Rural Exploitation in the Argentinian town.
This section also builds on the theme of Maternal Anxiety in the Modern World. David relentlessly questions Amanda as the moment unfolds, insisting that there must be more that she’s missing. He is particularly interested in the rescue distance; the danger is imminent, and Amanda must instinctually know that her daughter is at risk. He reminds Amanda, “Carla was only steps away from me the day the stallion escaped and I almost died” (85). This statement suggests that David also wants to understand why his own mother wasn’t able to save him. When David was poisoned, Carla was distracted and worried about losing the horse, which could cost her family their financial stability. However, Nina is now being poisoned just inches away from her mother, and Amanda, hyper-conscious of her daughter’s safety at all times, doesn’t sense the danger. David might be trying to understand his own mother’s failure through the lens of Connection and Isolation.
As Amanda tries harder to recall the details, she does remember a strange bitter taste in her mouth. However, it’s nearly imperceptible, and she quickly forgets about it. She also forgets about the “dew,” and as she and Nina get sicker, she never “wonder[s] again what it was that got [her] wet” (91). The moment of life-changing danger is lost among the other mundane details of the day.
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