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42 pages 1 hour read

Franny and Zooey

Fiction | Short Story Collection | Adult | Published in 1961

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Character Analysis

Franny Glass

Franny Glass is the protagonist of the short story Franny. Franny is a beautiful, young woman with dark hair and blue eyes. She is the youngest of the Glass children. Franny’s main internal conflict stems from her desire to pursue spirituality over academia, because she finds material pursuits inauthentic and centered around people’s egos.

Franny’s conversation with Lane at the restaurant pushes her toward a pursuit of spiritual achievements, rather than academic ones. Lane’s self-centeredness and obsession with maintaining a façade of success upsets Franny. Lane does not understand Franny’s behavior, because he does not take the time to listen to her. His lack of care causes Franny to spiral as she dissects what he says in a way that makes Lane feel threatened. Although Franny wants to fall in line because she does not like causing a fuss, she cannot help but antagonize Lane because he represents everything she hates about ego and phoniness. When Lane seems more interested in having sex with her than listening to her, Franny retreats even further into the solitude of prayer. She no longer wants to participate in a version of society that values her only for her achievements or what she can give to another person, and instead she decides to pursue a life of spiritual achievement.

Franny’s spiral into depression in Zooey stems in part from her grief over Seymour’s death. She does not understand her brother’s suicide, so she recites the Jesus Prayer to achieve clarity, hoping to speak with God or Seymour himself. Some critics have also characterized her emotional state as a “dark night of the soul,” a concept derived from the writings of the 16th-century Spanish mystic Juan de la Cruz (St. John of the Cross). In de la Cruz’s view, a stage in the journey toward the presence of God involves becoming disillusioned with and detached from earthly pleasures and achievements. This detachment, before the presence of God is fully felt, can mimic the symptoms of depression. Franny’s family background makes this process of disillusionment especially destabilizing for her. The Glass children are all extraordinarily intelligent, and this intellectual talent burdens them from an early age with heightened expectations of success. Their early and long-running presence on the radio show “It’s a Wise Child” illustrates the degree to which mid-century American society fetishizes their precocity. Franny is beginning to believe that everything she excels at is empty—a field of ego-driven competition that is ultimately pointless—but she does not yet know where to turn for meaning. Even to pursue nonconformity is an act of conformity. When Zooey confronts Franny on her hypocrisy in calling out other people’s egos while refusing to look at her own, Franny gets angry at him for assuming that she does not understand that her pursuit of authenticity is inauthentic. The fact that she does understand this is precisely what makes her existential crisis feel so inescapable. This endless cycle depresses Franny because she does not know how to escape it, which is why she decides to repeat the Jesus Prayer, hoping that somehow her actions will remove her from the vicious societal cycle of phoniness.

Zooey Glass

Zooey Glass is Franny’s brother and the protagonist of the novella Zooey. Twenty-five years old, Zooey is tall, thin, and extremely smart. Rather than pursuing academia like his brothers, he has become an actor. Since they are so close in age, Zooey and Franny have had similar upbringings, as their much older brothers, Seymour and Buddy, taught them about topics that they thought were more important than what they learned in school. Seymour passed on his fascination with religion to Franny and Zooey, and while Franny took to it, Zooey rejected and hated it. Zooey is bitter and angry and has difficulty relating to people around him because of his anger toward Seymour over his suicide.

Zooey’s destructive attitude comes from his inability to be authentic with his own feelings. Zooey does not allow himself to grieve for Seymour because he does not want to experience sadness. Instead, Zooey decides to focus on anger and aggression to avoid the reality of his grief. Zooey recognizes his destructive behavior, which he believes prevents him from being happy and engaging in meaningful relationships. Zooey’s tendency to become tunnel-visioned is the reason he rants at Franny and does not realize how his actions affect him. Although Zooey cares for his family, he does not know how to express this love, which is why he resorts to pretending to be Buddy when he talks to Franny on the phone. This also reveals why Zooey decided to become an actor, rather than an academic, because he can relate to and express other people’s emotions more easily than his own. Although Zooey criticizes Franny’s spirituality, Franny’s dialogue reveals that Zooey enjoys religion more than he lets on at first. However, Zooey reveals his hypocrisy in criticizing Franny, because, while he believes in his own supernatural experiences, he refuses to believe in her spirituality. However, Zooey reveals how he cares for Franny in the closing conversation, when he tells Franny about Seymour’s concept of the “Fat Lady”—an imaginary person who sees what no one else sees and who, Zooey says, is really Jesus. Zooey becomes emotional remembering Seymour in this way, which is why he quickly gets off the phone with Franny. Although Zooey does not necessarily learn to be more empathetic by the end of the novella, he chooses to put Franny’s needs before his own and shares a precious memory of the brother he misses.

Bessie Glass

Bessie Glass is Zooey and Franny’s mother. Bessie’s frantic nature causes Zooey to become frustrated with her, but she only wants her children to be safe and happy. Bessie feels distraught over Franny’s refusal to eat and continually offers her daughter chicken soup as if that will solve all her problems.

Bessie requests Zooey’s help in speaking with Franny because she believes that her children can speak to each other about personal issues in a way that she cannot. Bessie’s lack of boundaries in her children’s personal space, such as bursting in on Zooey when he is taking a bath, stems from her trauma over losing Seymour to suicide and Walt to the war. Zooey characterizes his mother’s worry over Franny as oversolicitous and excessive, but Bessie knows from Seymour’s suicide how quickly a person can choose to decide to harm themselves. Bessie desperately wants another person to take over the responsibility of helping Franny so that she does not need to bear the weight of it alone. Since her husband Les is emotionally unavailable, living in the past to process his grief, Bessie feels responsible for holding the family together and keeping her surviving children safe. Bessie does not allow herself to feel or process Seymour’s death, because she knows that the family unit would fall apart without her. However, Bessie allows Zooey to see a glimpse of her grief when she tells him that she does not go into Seymour’s room anymore. Bessie experiences the deep maternal grief of losing her children, but her grief over Seymour’s death is the most painful for her because he was her favorite child. The added pain of knowing that Seymour’s PTSD from the war was a main factor in his depression only furthers Bessie’s guilt over the possibility that she could have done something to help her son. However, Bessie feels haunted by the question of why her children are so unhappy. She tells Zooey that she does not think his intellect is a gift if it does not make him happy. Although Zooey does not have a retort to this observation immediately, he carries it on into the next conversation with Franny because he tells Franny that there are good things in the world, they just have a hard time remembering to be happy.

Lane Coutell

Lane Coutell is Franny’s boyfriend. He is a college student studying English. Lane is a flat and static character. He is self-centered and obsessed with his own self-image and how he appears to society. Lane feels insecure around Franny’s beauty and intellect, which is why he argues with her when she does not perform femininity in the way that he expects.

Though he hasn’t seen Franny in several weeks, he spends most of his time with her talking about a paper that he wrote on Flaubert. He finds validation and self-worth in his professor’s praise and wants Franny to be impressed with him, but his self-absorption is such that he doesn’t notice when she becomes bored. Lane does not realize that her dissatisfaction stems from his inability to listen to her or to talk about anything other than himself. Franny calls him a “section man,” comparing him to the overeager graduate students who, in her view, talk about themselves and their own interests to the point that they bore everyone around them. Rather than reflecting on Franny’s comment and realizing that he monopolizes every conversation because of his arrogance, Lane assumes that there is something wrong with Franny. Although Franny is in the middle of an existential crisis, her critique of Lane’s personality has nothing to do with her state of mind. Instead, Franny’s spiritual quest makes it easier for her to see through Lane’s superficial nature. When Franny explains to Lane about the Jesus Prayer, he shuts her down by asserting that nothing she says can be factually proven. Since this response is the exact type of phony behavior that Franny resents, she becomes so upset with Lane that she faints. However, Lane does not take the opportunity to truly care for Franny when she faints, revealing his true intentions of using her as an object to get ahead in life. Although Lane tells Franny that she should rest, he immediately suggests that they should have sex once she feels better. Lane does not take the opportunity to listen to Franny or find out what is bothering her. Instead, he attributes her fainting spell and antagonistic behavior to her gender. Lane’s refusal to validate Franny’s feelings pushes her toward the crisis that occurs in Zooey. Since Franny believes that people like Lane will always try to take advantage of her for her body or her intellect, she decides to abandon both in pursuit of alignment with God, dropping the social currency that Lane upholds in every aspect of his life.

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