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During the remaining time before the Trevors leave for North Carolina, Charlotte throws herself into training with a vengeance. She feels the weight of the responsibility she carries for their welfare. Even the normally hard-charging Janice wants her to ease up. As a reward for her dedication, Janice requisitions a taser for Charlotte but makes her promise that she’ll use it only in a dire emergency.
When the family packs up for their new home, Charlotte rides with Harriet, while Jonathan and Jackson travel in the moving truck. Jackson remains surly and withdrawn through the entire trip. Harriet has dyed her hair blond, but the resemblance to Charlotte is still pronounced. As they drive, Harriet and Charlotte get better acquainted. Harriet talks about her emerald engagement ring, which she can no longer wear. It’s hidden away, and she now sports an imitation diamond that’s really a rhinestone. Charlotte and Harriet stop at a gas station to use the restroom. In the store, Charlotte watches a news story on the television about a mob-style execution of more of the Cercatore family’s enemies.
When the Trevors arrive at their new home in Durham, Charlotte is pleased: “It has a turret. On the right front side of the house, where the porch curves around the corner, the roof tapers to a perfect point, atop which sits a polished brass weathervane” (110). Charlotte immediately decides to claim the turret room as hers, but Jackson has the same idea. The two scuffle on the staircase, each racing to reach the room first. Jackson’s phone is damaged during their struggle, and Charlotte prevails, alienating him even more.
Jonathan observes, “You’re brother and sister now, and you go and act like brother and sister. I even told Elena that the hullabaloo you two created made it seem like you’d been getting on each other’s nerves all your lives” (116). Charlotte savors her victory as she surveys her new domain. For the first time in her life, she feels that this bedroom is her own space to control.
In the days that follow, the Trevors unpack and settle into their new surroundings. During Charlotte’s training as an agent, she was given a 58-item list of things to check, including the chimney flue. These are all precautions to prevent someone from breaking in and harming the family. Because she’s so tense about keeping the Trevors safe, Charlotte finds her anxiety building, and theft becomes her coping mechanism. She steals Harriet’s fake engagement ring and hides it in her bedroom.
Charlotte immediately feels sorry and lies awake that night, racked with guilt. She hears sounds on the stairs and creeps out, fearful that an intruder might have broken into the home. Instead, she sees Jackson on the stairs, trailing his pillows and blanket. He stands indecisively outside his parents’ bedroom: “His eyes are red, cheeks swollen, and he’s wearing a grimace that seems locked somewhere between fury and despair” (124). He drops down on the stairs and sleeps in front of their closed door.
The next morning, after Charlotte comes downstairs and starts eating breakfast, an intrusive neighbor named Nancie Guthrie knocks on the back door. She talks nonstop, briefly introducing her shy daughter, Britney, who will be in the same seventh-grade class as Charlotte. Charlotte invites Brit to accompany her to buy school clothes, and Brit seems delighted. Nancie then tells Charlotte that the Trinity Park Neighborhood Association is staging a “pig-pickin’” party in honor of the Trevors on Sunday. Charlotte says that she’ll relay the message. Later, the family is baffled by the invitation, but they decide it’s best to be on good terms with everyone in the neighborhood.
That afternoon, Charlotte and Brit go to the mall to shop for school supplies and clothing. After hours of shopping, Charlotte offers to buy Brit a cinnamon pretzel. As they wait in line, Brit is accosted by some mean schoolmates, who cut in line ahead of her. They’re led by a girl named Deidre. Deidre calls Brit “BritGut” and intimidates her. Turning to Charlotte, she asks, “‘Are you Brit’s friend?’ There’s a twinge of something in the way she says Brit’s friend, maybe the little snap she puts in the t and the d, that makes it seem like she’s painting the tips of her words with poison” (146). Charlotte decides to take Deidre down a peg. She lifts the credit cards and cash from Deidre’s two companions and casually places the stolen loot in Deidre’s backpack. Later, from a distance, Charlotte watches as the other two girls accuse Deidre of stealing from them.
On Sunday, Harriet is frantic as she prepares for the neighborhood party. She still can’t find her fake ring, and Charlotte still can’t bring herself to confess that she took it. As the Trevors walk down the block, they’re intercepted by Nancie, who leads them to the shindig. Charlotte goes into the Guthrie house in search of Brit and finds her upstairs playing in an online gaming tournament. Brit is an experienced player, and Charlotte watches in amazement as she wins every round. Brit is shy about letting the kids at school know about her gaming expertise.
Once the two girls join the party, Charlotte is appalled when she finally learns what “pig-pickin’” is: “There, spitting and hissing over a steel grate, is an entire pig, its head brown and shriveled and its hairless legs left to dangle over the edge” (164-65). Jackson is gleeful when he sees Charlotte’s queasy reaction. Fortunately, the party ends well because both agree that the barbecue is delicious.
During Charlotte’s remaining time in Georgia, she drives herself hard to understand her role in protecting the Trevors. In part, she wants to do a good job. However, she’s principally concerned about finding The True Meaning of Home. In this respect, her interests coincide with the larger mission. Keeping the Trevors alive will ensure that she always has a place to call her own. Her handler notices her mania to master her role. Even taskmaster Janice wants Charlotte to ease up: “Look, I’ve never seen anyone work harder than you have this week, Charlotte. Not any kid, not any adult. You keep pushing yourself, you’re going to make a mistake […] I’m not going to let that happen” (87).
Charlotte’s desire to establish and maintain a place for herself in a real home is amplified by her growing bond with Harriet. As the two drive together to Durham, Charlotte notes the similarities and differences between her and her foster mother. Since Charlotte’s hands are so important to her identity, she notices the difference in Harriet’s:
She’s got a gentle, almost regal voice, and she moves that way, too, gesturing gracefully when she speaks. Even though her hands are slender and her fingers long like mine, they move in very different ways. Mine dart and weave like the heads of cobras. Hers move like silk scarves trailing behind a ballerina (99).
As Charlotte begins to ground herself in Harriet’s family, she also carves out a physical space for herself in the new house’s turret room. Children in the foster system are known to have difficulty feeling a sense of control over their lives. Charlotte’s lack of personal control is mitigated by the turret room, which becomes her private sanctuary. She competes with Jackson to claim it and prevails over her foster brother, making him resent her even more. However, the critical importance of owning this space soon becomes apparent when Charlotte notes, “Not Jackson Trevor, not the Cercatores, not the five rules, nothing is going to rip me from this space, because for the first time in my life, I feel like I might just be in control of what happens here” (116).
The more Charlotte begins to feel as if she has a real home and a real family, the more her anxiety about the WITSEC situation mounts. Her only outlet for stress release is theft. Significantly, she chooses to steal from Harriet, the one person she cares most about. Afterward, she’s racked with guilt but fearful about confessing her compulsion. The stakes are too high, and Charlotte isn’t prepared to risk the loss of what appears to be her best shot at a real home.
Other than a thematic examination of The True Meaning of Home to Charlotte, this segment focuses on the theme of The Effects of Living With a Fake Identity. The Trevors are now installed in their new community and must act the part of an average family. Harriet and Jonathan debate whether to accept the invitation to the community “pig pickin’” party, wondering what an average family would do. At the same time that they’re trying to project a facade of normalcy, Charlotte becomes aware of an entirely new set of fake identities among her peers. Brit is the most obvious example of this phenomenon. She tries to fade into the woodwork to avoid harassment from both her mother and her schoolmates. Charlotte notes her observations about Brit:
The stoop of her shoulders and the tremble in her voice suggest that life hasn’t been easy for her. She should be tall and willow-graceful, but she’s gotten so good at shrinking herself that I haven’t been able to shake the notion that she’s somehow smaller than me (149-50).
Additionally, Charlotte recognizes that practically everyone else is projecting a fake identity, too. This comes as a revelation when she observes, “Why is it that it didn’t seem weird to pretend to be someone I’m not? Have I been doing that at every school I’ve ever gone to? With everyone I’ve ever known? Heck, is there anyone who isn’t doing that?” (150).
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