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The protagonist is a young Black man who is thoughtful, articulate, and driven. His name is never given in the text, nor is the alias that the Brotherhood assigns him. When the book begins, the protagonist wholeheartedly believes in the idea that even though Black people suffer from disadvantages that linger after the slave era, it is possible for them to “better” themselves through hard work and effort. He also believes that functional, selfless partnerships between Black people and White people are possible. The events of the novel gradually undermine his beliefs and force him to realize that the only possible way to define himself is by listening to his inner authority rather than searching for it outside of himself.
Along the way, the protagonist places his trust in various ideas or institutions. First, it is the idea that the White people in his southern hometown want to hear his graduation speech in Chapter 1, then his earnest belief that he will be successful by becoming part of the college community. Next, he hopes to find stability and empowerment by working at the Liberty Paint factory, a hope that is quickly quenched after a single day working there. Finally, he looks to the Brotherhood and his work as the means by which he will realize his potential and earn the respect of the White community. The race riots at the end of the book undermine this idea as well.
Each time that he is forced to reevaluate the institutions around him, the protagonist becomes more cynical about the possibility of White people and Black people working together effectively, a process that represents the greatest change for him. He also comes to value his own intuition, ideas, and beliefs rather than reflexively looking outside himself for validation. This idea moves him beyond typical racial discourse and to a state of greater confidence, maturity, and independence. When he introduces himself at the beginning of the book, the protagonist acknowledges that this process has led to a state of introspection and inactivity rather than action: “Call me Jack-the-Bear, for I am in a state of hibernation” (6). However, the book ends with his decision to “return” to the world by once again reengaging with social issues.
Although he appears only in “flashbacks” in the protagonist’s childhood, his grandfather has a profound impact on the young man’s conception of himself as a Black man. The grandfather berates himself at the end of his life for being too submissive to White people (see Chapter 1). The protagonist begins his journey by not fully grasping or agreeing with that idea and trying to conform with the White-defined ideas of “success.”
However, the protagonist often thinks of his grandfather when he is grappling with a new dilemma surrounding race or success (see Pages 147 and 170 as examples). This indicates that his grandfather serves as a kind of “voice of conscience” warning the protagonist that whatever promises are made on the surface by White people are unlikely to be fulfilled. An example from the grandfather’s own life illustrates this as well: “The thing to do was to be prepared—as my grandfather had been when it was demanded that he quote the entire United States Constitution as a test of his fitness to vote. He had confounded them all by passing the test, although they still refused him the ballot” (315). His grandfather serves as a potent symbol of the fruitlessness of trying to gain the approval of the White people who seek to keep Black people oppressed.
Dr. Bledsoe, college administrator and antagonist, is skilled at appearing humble and submissive to White men while secretly holding them in contempt. He appears smaller than the White men at the college, “although he was physically larger” (115).
The protagonist’s admiration for Bledsoe is tempered, even at an early stage in the novel, by an unease that is made understandable by Bledsoe’s later betrayal. Bledsoe hides a ruthlessness toward those who “fail” in any way—even in a minor “mistake” like the one the protagonist makes—beneath the surface of genteel accomplishment: “He was our leader and our magic, who kept endowment high, the funds for scholarships plentiful and publicity moving through the channels of the press” (116). The ruthlessness has clearly contributed to Bledsoe’s success, but the protagonist decides that he doesn’t want to emulate Bledsoe in that regard and rejects him as an authority figure.
Jack, called “Brother Jack” in the text, in keeping with the Brotherhood’s convention, is a White leader within the organization who recruits and helps train the protagonist in his work. Like Bledsoe, Jack hides his true motives behind a veneer of calm rationality, efficient organization, and in the guise of trying to achieve greater social equality for Black people. He acts as an ally to the protagonist for much of the story, but he is actually an antagonist who will eventually abandon the protagonist to bear the brunt of the race riots at the end of the book.
Jack is a White man with red hair, physical traits that serve as a foil for the protagonist’s appearance. As he and the protagonist begin to disagree over the Brotherhood’s strategy and approach, it’s revealed that Jack has lost an eye in a protest or agitation for the work of the Brotherhood. While at first this might seem to deepen the protagonist’s respect for Jack, the disability is actually symbolic of Jack’s inability to truly “see” the protagonist or the issues facing the organization.
A maternal figure who helps those who are down on their luck in Harlem, Mary expresses hope in the younger African American generation to help lift their race out of destitution and hopelessness (255). She lives near the poverty level, and the protagonist comes to realize that his staying there without paying her puts her at a disadvantage. The cockroaches in her kitchen are indicative of the inferior living conditions that minorities in tenement apartments were forced to endure for lack of any other affordable option.
The protagonist is grateful to Mary for her generosity but also harbors complex feelings toward her:
Nor did I think of Mary as a ‘friend’; she was something more—a force, a stable, familiar force like something out of my past which kept me from whirling off into some unknown which I dared not face. It was a most painful position, for at the same time, Mary reminded me constantly that something was expected of me, some act of leadership, some newsworthy achievement and I was torn between resenting her for it and loving her for the nebulous hope she kept alive (258).
Fully-realized, complex female characters are relatively few in Invisible Man, and Mary’s presence serves as an intuitive, “feminine” counterpart to the protagonist’s early “masculine” or logical worldview.
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By Ralph Ellison