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Despite having recovered his memories, Seth can’t untangle them or make sense of them yet. Regine and Tomasz agree to help him find his brother. They inform him that a blue light has started blinking under the skin of his neck. Tomasz then gets upset about Regine and Seth lying to him and treating him like a child. When Seth goes to comfort him, he accidentally touches the protrusion on Tomasz’s neck, which triggers a dream sequence.
Content Warning: This chapter discusses mass death and Tomasz’s murder.
Seth witnesses the memory of Tomasz’s death from the young boy’s point of view. Tomasz’s last moments are with his mother after they crossed the Polish border, which is suggested to be closed due to political collapse triggered by climate change. Tomasz and his mother wait for someone to unlock the room where they and other smuggled immigrants are waiting. The man who finally opens the door shoots them because they could not pay him more money.
Tomasz is horrified that Seth invaded his privacy. Seth apologizes, and eventually confesses that he died by suicide. Tomasz then shares more of his story, and Seth guesses that he and his mother reached England before they died, which is why the young boy’s coffin was at the prison.
While sneaking back to Regine and Tomasz’s house at night, the children encounter a deer and a fawn.
At the house, Seth sees Regine’s coffin in the living room. They have dinner and finally get some rest.
This chapter is only one sentence: “He does not dream” (286).
In this dream sequence, a police officer tells Seth’s parents that Owen was murdered by the escaped prisoner. After witnessing their grief, the officer mentions a way to fix it “so that none of this ever happened” (293). Later, a social worker explains a process called Lethe to the Wearings, telling them that everyone will have to go through it eventually because the world might collapse soon. Lethe is a way to continue living in the simulation by removing memories of the transition between one’s real and virtual lives.
Seth wakes up. In the present, Seth tells Regine and Tomasz that while the world was crumbling, people could go online through “the Link” (295) to escape reality for a while. After Owen died, Seth’s parents chose to live online permanently, where a fake version of Owen was created from their memories and the trauma of his death was erased. Since he was a program and not a real person, his imperfections were framed as neurological conditions in the simulation. Seth is heartbroken to find out that his actions led to his brother’s death.
In this memory, Seth is eight and Owen is four. They are alone at home when a man appears at their back door. The man threatens them until Seth agrees to open the door for him. The escaped prisoner then asks Seth to choose who he should take as a hostage between him and Owen.
Tomasz and Regine are horrified and comfort Seth, telling him that Owen’s death was not his fault. Regine points out that none of what happened, or his parents’ reactions, was really about him. Seth’s parents struggled to cope with their son’s death, impacting their emotions, which is why they neglected him. She tells him that there is always more to the story. She confesses that she died because her abusive stepfather pushed her down the stairs.
As the trio leaves the cemetery, the Driver ambushes them and hits Regine with his electrified baton, apparently killing her.
Seth fights with the Driver, noting that the hole in his chest is “deeper than should be survivable” (316). The Driver knocks him out and grabs Regine before leaving.
Seth wakes up to Tomasz urging him to go save Regine, who was still alive when the Driver took her. They know that he will try to put her back into the simulation back at the prison, where most people went after the world ended. They suppose that some coffins were left behind, like Seth’s and Regine’s, because there was no time to transport them.
When Seth gets to the coffin rooms, he hears Regine screaming but cannot locate her. The surveillance cameras displayed on the main screen show him the Driver putting her back into a coffin and wrapping her in bandages. The display also shows him that Regine is being sent back a few minutes before she died so she can be reprogrammed into the simulation. Seth manages to interrupt the Lethe program as the Driver is about to erase Regine’s memories.
Seth realizes that the Driver is a caretaker programmed to ensure people’s survival in the coffins and rectify what he considers to be mistakes, like Regine‘s disconnection. Seth starts opening coffins and displacing bodies to force the Driver to take care of them and stay away from Regine. Seth goes to Regine and, when he touches the red light on her neck, enters her memories.
Content Warning: This chapter discusses domestic abuse and death by domestic abuse.
In this memory, Seth witnesses Regine’s death from her point of view as she confronts her stepfather. He pushes her down the stairs. The scene repeats in a loop, forcing Regine and Seth to relieve the experience repeatedly.
Part 3 marks a shift in Seth’s relationships as he recovers his memories and learns to trust Regine and Tomasz. New information about his friends’ deaths illuminates their present behavior and resolves some narrative questions. This brings new meaning to The Effects of Trauma, with Regine and Tomasz each illustrating different ways to cope with trauma. On the one hand, Regine reacts to her stepfather’s abuse with anger and distrust, which is why she initially seems abrasive to Seth. However, she is also very protective of Tomasz, who is younger and more naive, which demonstrates her empathy and compassion. Seth accidentally learns that Tomasz was murdered by a smuggler when his mother was unable to pay him anymore. Throughout the novel, Tomasz has insisted that he was killed by lightning, and Seth and Regine good-naturedly indulged him. Tomasz’s lightning story is an allusion to being shot, and his fanciful imagination created a more acceptable and exciting version of the story. This coping mechanism ties back to the motif of Storytelling, and particularly Regine’s claim that “People [...] take random events and [...] put them together in a pattern so [they] can comfort [themselves] with a story, no matter how much it obviously isn’t true. [...] We have to lie to ourselves to live. Otherwise, we’d go crazy” (189). Seth, Regine, and Tomasz each confront their trauma and ultimately create deeper bonds with one another through their shared experiences. All three of them grow more empathetic and trustful. When Regine is abducted by the Driver, for instance, Seth and Tomasz do not hesitate to go to the prison to get her back. As the Driver closes in on Seth and her, Regine tells him that coming to save her is “enough,” adding: “Really, you don’t even understand how much that’s enough. To have you choose to do that” (342). Regine’s words foreshadow Seth’s ultimate realization: What matters most to him, namely his relationships with Gudmund, his family, and his friends, is a matter of choice. The Effects of Trauma shape the characters in ways they are not totally aware of. How they deal with that trauma and how they move forward is, ultimately, a very difficult choice only each of them can make.
By confronting the Driver, the characters are symbolically confronting their past and their trauma. This plays into the themes of The Effects of Trauma as well as Life and Death. Seth learns to process his recovered memories through the Driver, leaving him to confront two opposing versions of his life, one where Owen died and one where Owen survived. The narrative provides more information about Owen’s kidnapping through Flashbacks, and offers some closure about what really happened. The distinction between the two Worlds becomes clearer but, as a result, Seth’s perception of The Nature of Reality is once again challenged: “And he both knows it’s true and knows it must be a lie” (291). This contradictory statement makes The Nature of Reality relativistic: Reality is determined by the observer, in this case Seth. Only Seth is able to work out whether Owen’s death is “true” or a “lie”; Seth can return to the simulation and continue living as if Owen is alive, or he can live in the world with Regine and Tomasz where he knows that Owen is dead. The relativism of The Nature of Reality uses the Storytelling motif: Seth must determine which “story” about his life is more real to him.
Regine and Tomasz provide Seth with an alternative perception of his trauma, or the story he told himself to make sense of it. They comfort him by arguing that he was a young child coerced into a life-threatening situation, showing Seth that there is “more to the story” than his guilt and his parents’ repressed grief. Seth indirectly points out that memory can be fallible, placing his memories within the Storytelling motif:
I thought if I said he should take Owen, I’d be able to raise the alarm better. I’d be able to explain what happened faster and they could go after the guy and catch him. [...] Actually, I don’t know what I thought. I don’t even know if that’s true or if it’s a story I told myself (307).
Seth suggests that stories are a matter of subjectivity and, ultimately, one has the power to decide what to believe. Sharing those stories with others provides space for more nuanced understanding through empathy and compassion.
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By Patrick Ness