59 pages • 1 hour read
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Jimmy goes to the park and the feeling that something is wrong only increases. To his horror, he finds Katie’s car with blood splattered over it. Meanwhile, Sean learns that Jimmy is on the scene with his brothers-in-law, the Savage brothers, who have certainly lived up to their name. Jimmy instructs his brothers-in-law to do various things that might track down Katie. When Sean comes out to meet Jimmy, Jimmy is reminded of why he “always hated” Sean; he had “the look of a guy the world had always worked for” (119). Sean tells him to go home because there is nothing for him to do. Jimmy, reluctant, tries to impart upon Sean his desperation, but Sean is steadfast and pushes Jimmy to leave. As Jimmy turns, he hears a voice from Sean’s walkie-talkie saying that he must get to the drive-in immediately.
Celeste irons as she watches the news, waiting for anything about a possible manhunt that might match Dave’s description of the night before. She finds herself feeling an affinity to the appliances she must always replace as they break on her; that she will break at some point just so her “few usable parts could be recycled for someone else” (123). Suddenly, she remembers that she has to clean out the drain pipe. She cleans it with one of Michael’s old shirts and runs bleach through it before reinstalling it. Afterwards, she feels triumphant, adrenaline coursing through her after she’d taken care off “all the evidence” (126). She knows that whatever challenge arises, she will conquer it. Then, the news announces the police’s search for a missing woman under “signs of foul play”; Celeste, knowing that means there’s blood on the scene, thinks of Dave (127).
Still standing on the civilian line of the crime scene tape, Jimmy watches Sean return into the woods. He calls Annabeth and tells her about Katie’s car, acknowledging his “dread, that awful certainty” that something happened to Katie (131). Annabeth is angry with him for not being in the woods looking for Katie against the police’s orders and Jimmy realizes he will “regret his impotence of the last forty-five minutes for the rest of his life” (131). He decides to break through a fence with Chuck.
The police find Katie’s body jammed in between a narrow opening below the screen. She is covered in blood, as though “red rain” had poured down on her from above (135). She’s curled up, her foot pressed against the opposite wall and her fists tightly clenched by her ears. Sean supposes she’d climbed into the space to hide and her attacker found her anyway. From the opening in her skull, it looks as though she’s been shot. As they survey the scene, Sean hears a commotion a few yards back. He turns to see Jimmy wrestling his way past the cops. Jimmy stumbles in the mud and a trooper jumps on top of him, pinning him down. Jimmy calls out to Sean, asking if they’ve found her. Sean says nothing, but Jimmy must detect the horrific discovery Sean’s just made because he lets out an agonized scream. Sean turns back to the crime scene as Jimmy screams grow “more hoarse and ragged” (138).
Jimmy’s growing sense of trepidation sets the tone for Chapter 9. With the discovery of the police having the water searched by frogmen, the chapter heightens the perception that Katie’s safe return is hopeless. The readers realize this as Jimmy does, though he holds out hope that the worst has not happened. However, the text betrays Jimmy’s understanding of what happened with Katie before it’s confirmed: “You felt the truth [in your soul] sometimes—beyond logic” (115). Here, the novel demonstrates Jimmy’s perceptiveness and highlights the importance of listening to one’s intuition.
The chapter also provides insight into the strained relationship between Sean and Jimmy: “Jimmy could still see that thing in [Sean’s] face he’d always hated, the look of a guy the world had always worked for” (119). This stresses the perceived difference in the men that feels insurmountable. Jimmy’s observation echoes his childhood opinion of Sean; that, because he’d grown up in a nicer neighborhood, Sean had an easy, worry-free life. Thus, the chapter highlights the difference that stems from a class consciousness ingrained in them since childhood; that one’s neighborhood had great influence over one’s sense of self.
Chapter 10 characterizes Celeste and emphasizes her increasing doubts about her husband. Perhaps because of the hard life she’s had due to her economic status, or because Dave is emotionally distant, Celeste feels insignificant: “Celeste found herself consciously trying to ignore a notion that it wasn’t only the things in her life but her life, itself, that was not meant to have any weight or lasting impact” (123). By comparing her to a broken appliance that is not worth fixing and can only be replaced, the text reveals Celeste’s insecurity and deep suspicion that she is broken. This analogy also works to insinuate Celeste’s sense of being used, even used to the point of breaking. Despite this, Celeste is characterized as resilient and spirited (127). This is significant because it reveals just why Celeste is so quick to help Dave, despite the situation and her doubts; she enjoys challenges, and she’s empowered by overcoming obstacles. This, though, is presented somewhat ironically as she watches the news and her suspicions toward Dave change. She begins to believe that Dave fooled her, despite her strength and shrewd mind. The chapter ends by again associating Dave with Katie’s disappearance with little—though compelling—evidence. Celeste, too, falls for this trap.
Chapter 11 returns the narrative’s focus to tragedy and trauma as Katie’s fate is revealed. Sean, before finding her body, can sense what’s happened to Katie. Through Sean, the chapter breaks down the far-reaching consequences of a tragedy, how trauma doesn’t just touch the victims but everyone around them: “[T]he worst thing wasn’t the victims—they were dead, after all, and beyond any more pain. The worst thing was those who’d loved them and survived them” (133). The image Sean paints is a parallel of the way the world changed for Dave when he returned from his abduction—of the way everyone who he once knew seemed to have left and were replaced by “smiley-faced look-alikes” (111). In this way, the novel offers a contrasting view of trauma; the novel asserts that it looks differently on the inside than it does on the outside.
Moreover, Sean’s thought foreshadows what Jimmy feels when he realizes Katie is gone: Sean held “Jimmy’s eyes with his own […] until Jimmy’s surging stare saw what Sean had just seen, saw that it was over now, the worst fear had been realized. Jimmy began to scream and ropes of spit shot from his mouth” (138). Their ability to communicate through a look hints at a connection forged through their shared childhood trauma; Jimmy may recognize the look of someone telling him that things will never be the same again. The chapter also subscribes to the detective fiction genre most concisely at this point by walking the reader through police procedure on the scene. Lehane offers gruesome detail because it is what the genre demands, but each detail also contributes to constructing the image of what happened to Katie.
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By Dennis Lehane