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46 pages 1 hour read

Oh, William

Fiction | Novel | Adult | Published in 2021

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Pages 3-86Chapter Summaries & Analyses

Pages 3-21 Summary

Lucy Barton, the first-person narrator, introduces her first husband William Gerhardt, who is 71 at the time of writing. Although 63-year-old Lucy has since re-married and become widowed, she finds that she can grieve William in her bereavement too. Lucy and William are on amicable terms, with William calling Lucy “Button” and Lucy calling William “Pillie.”

William and his third wife, Estelle, have a 10-year-old daughter called Bridget, in addition to the two daughters he had with Lucy who are in their 30s. Although he has retired from teaching at a microbiology lab at New York University, he still has a laboratory and does research. William, who considers that he is aging well in comparison to his peers, “felt (almost) invulnerable” to misfortune (7). William’s calm exterior belies night terrors that relate to both his parents—his mother, Catherine, and his father Wilhelm, who was a German prisoner of war. William’s father met his mother when he was brought to Maine to pick potatoes as an interned prisoner. At that time, Catherine was married to a potato farmer, Clyde Trask. William is beset by guilt about his German heritage and the atrocities the Nazis committed in the war. During their marriage, he and Lucy visited the concentration camps in Germany. However, the night terrors that most disturb him relate to Catherine, because he does not know how to interpret them.

Lucy outlines William’s three marriages. The first was to her, who came from “terribly bleak poverty” in rural Illinois and went to collage with the help of her guidance counsellor Mrs. Nash (16). She met William because he was the teaching assistant for her biology class. Lucy left William when their daughters, Chrissy and Becka, went to college. William then married Joanne, with whom he had been having an affair for six years. That marriage soured quickly because Joanne felt that she had given up her childbearing years while being William’s mistress. During his next marriage to Estelle, who was 22 years younger than him, William discovered that he was going to be a father again despite not wanting more children. However, he loved little Bridget, especially because she reminded him of his daughters with Lucy.

Pages 22-38 Summary

Lucy recalls William’s 70th birthday party, hosted at his apartment by his wife Estelle. Lucy attends with her daughters, Chrissy and Becka because her husband David, a cellist, is on concert-duty. At the party, a divorced woman called Pam Carlson asks Lucy if she can love her second husband and find herself thinking about her first one at the same time. Lucy is reluctant to discuss this.

William’s wife Estelle is an actress, with a jovial, whimsical temperament. Their daughter Bridget resembles her. William cannot enjoy the party, preoccupied with the night terrors he has had about his mother, Catherine. Lucy recalls catching Estelle asking a man “are you bored to death?” in the kitchen during the party and feels a sense of unease about this (32).

The summer after the party, Lucy’s second husband, David became ill. Like Lucy, David came from poverty, although his background was Hasidic Jewish and his family cut him off when he no longer wanted to be part of that community. Lucy recalls the conversation with Pam Carlson at William’s party and admits to herself that from David’s illness in June to his death in November, William was the person she called upon. She remembers driving through snowy scenes with William from Chicago to the East Coast and concludes that “William is the only person I ever felt safe with. He is the only home I ever had” (38).

Pages 38-53 Summary

Catherine, Lucy’s ex-mother-in-law and William’s mother, “was light itself” (41), although she admitted to suffering periods of depression. Her first husband, Clyde Trask, was a potato farmer and later became a Republican state legislator in Maine. William had an affectionate relationship with his mother and Catherine, conscious that Lucy came from poverty, took charge of her wardrobe, and gave her hand-me-downs. Lucy thinks that it is natural that William confides his night terrors about Catherine to her, as she is the only one who remembers Catherine.

Just before William’s 71st birthday, Chrissy announces her pregnancy. While both William and Lucy are thrilled, Chrissy miscarries two weeks later. Chrissy is devastated, saying that she would have called the child Lucy if it were a girl.

Estelle has given William a subscription to an ancestry website for his birthday and when he uses it, he finds that Catherine had a child by Clyde Trask. The child, who was two years older than William, was called Lois. William finds it difficult to believe that Catherine would keep such a child secret. He is eager to dismiss the whole thing as a hoax. However, Lucy thinks that “it made a kind of weird sense” that Catherine had another child (53).

Pages 54-71 Summary

Lucy recalls her happiness in the year before her and William’s marriage. Each night he would read to her and she would desire him so much that if he did not reach towards her she “would feel a sense of fear and of being bereft” (54). However, at their small country club wedding, Lucy felt oddly unreal and dislocated. The feeling remained with her throughout her marriage. The sense of her own small consequence also presides over her feeling of invisibility.

Lucy recalls Catherine’s “loving but also sometimes oddly distant” approach to Chrissy and Becka when they were infants and imagines that Catherine might have been thinking of the baby girl she left behind in Maine (57). Catherine’s first encounter with Wilhelm occurred when she brought doughnuts to the prisoners of war. The attraction between Catherine and Wilhelm was instantaneous and firmly established on the day when Wilhelm came into Clyde Trask’s house and played Brahms on the piano. Their love affair endured a period of separation in England, where they exchanged letters. Finally, when Wilhelm told Catherine that he would be on the train that arrived at Boston’s North Station at five o’clock, she ran away with him, never returning to Maine.

While William still denies that his mother had another child, he receives a shocking note from Estelle announcing that she is leaving him. When Lucy visits William at his apartment, she sees that Estelle took much of the furniture including the rugs and the furniture in Bridget’s room while William was away at a conference. William fixates on a passage in Estelle’s note that accuses him of being distant. Lucy tries to comfort him, offering that they should go out to dinner.

Pages 71-86 Summary

William becomes ready to admit that Catherine had a child before him. He calculates that she would have gotten pregnant by Clyde Trask while his father Wilhelm was in England. William found out that Clyde remarried and had a few sons with his second wife.

Lucy thinks about William alone in an empty apartment and of the time that she left him. Prior to their separation, William had multiple affairs. He confessed to a few with women he did not love but waited three months more to tell Lucy about Joanne, a woman who was a mutual friend and had taken care of Lucy’s daughters when she was sick. After this, Lucy sensed that “a tulip stem inside me snapped […] never grew back” (76). The shock of this enabled her to write more truthfully. Lucy’s second husband David seemed to be William’s opposite, and Lucy found great comfort in her and David’s shared experiences of growing up in poverty and isolation.

Lucy’s daughters call her in turn and express outrage at what Estelle has done to their father. They ask Lucy to come to a family dinner at the apartment. At the dinner, the family reminisces and feels comfortable with each other.

Lucy recalls that when she brought William to meet her family, her mother demanded that Lucy take him out again, for upsetting her father. Apparently, William’s German heritage brought up traumatic wartime memories for Lucy’s father, who fought in Germany on the Allied side of WWII. After this, Lucy and her mother only saw each other at hospital beds. William paid for Lucy’s mother to visit her following the appendectomy mentioned in My Name is Lucy Barton, and later Lucy went to her mother’s deathbed. Lucy stays in touch with her brother and sister, talking to them once a week, although for many years they were estranged.

Lucy recalls how Catherine liked golf and tried to get Lucy interested too. When this endeavor failed despite Catherine purchasing golf clubs for Lucy’s birthday, Catherine surmises that “this has all been too much for her” (85).

William calls Lucy and asks her to accompany him on a road trip to Maine, where he hopes to find his half-sister, Lois Bubar. William is uncertain of the welcome he will receive, and of his motivation for going.

Pages 3-86 Analysis

This sequel to My Name is Lucy Barton features the same first-person heroine at a later stage in life. Whereas the previous novel began with Lucy as a young mother and beginning author waking up in a hospital bed, this book introduces Lucy after the death of her second husband. While the base of New York City and the memories of Lucy’s childhood poverty in rural Illinois remain consistent, this sequel begins with a focus on William, the obscure man Lucy was married to in the first novel.

The novel opens with William in a state of relative control and stability. At 71, William is facing the realities of aging, but his fastidiousness about his clothing and exercise routine means that he feels comparatively youthful and fortunate for his age. A sense of control also characterizes his relationships with women—following his marriage to Lucy, he managed to exert his desire not to have more children with his second wife Joanne, regardless of her own regrets. However, when he surprised by his third, much younger wife Estelle becoming pregnant, he quickly adapts to the situation. Thus, the early part of the novel sets William up as being both disciplined in making things go his way and resilient when they do not. Only the inexplicable night terrors of his deceased mother Catherine disturb his sense of order, and he considers medicating these away so he can maintain the illusion of safety.

By the end of the first third of the novel, chaos enters William’s life via two different channels. The first is Estelle literally and metaphorically pulling the rug out from under his feet when she suddenly leaves him. The second is when he discovers that Catherine had a child before him, during her brief marriage to Clyde Trask. With the foundations of his identity as his mother’s only child and as Estelle’s desired partner withdrawn, William is lost. As Lucy remembers turning to William in her own time of crisis, William turns to his first wife for support as well, inviting her to return with him to his mother’s ancestral Maine to track down his sister, Lois Bubar.

Lucy’s grief over David’s loss motivates her compassion for William’s losses in life, despite the fact that he hurt her when they were married through his emotional distance and affairs. Pam Carlson introduces this idea when she confesses that while she loves her second husband, she finds herself thinking a lot about her first when she is with him. Although Lucy is conscious of missing William at times in her marriage to David, she does not permit herself to think about such feelings at that time. A year later, when David—the man who was her consolation for all her losses with William—dies, Lucy feels more comfortable thinking about William and their marriage again. Through William’s sustained influence on Lucy’s life, and Lucy’s focus on William’s personal history and current crises in these pages, Strout begins to explore the emotional boundaries of the marital relationship, and where the foundational aspects of identity are formed.

Further mixing of perspectives occurs as Lucy remembers Catherine’s role in her own life, via various flashbacks at different points in their acquaintance. To Lucy, Catherine’s gifts of clothes were the continuation of Mrs. Nash, the guidance counsellor who took Lucy shopping prior to college so that her working-class origins would not be so obvious. Lucy’s fondness for Catherine is shown in the non-judgmental, matter-of-fact way that she considers her romance with William’s father, a German Prisoner of War. Lucy recalls that whenever Catherine told the story of her romance with Wilhelm, “her eyes got very faraway; you could tell she was picturing this: the man who had stepped into her house and taken his cap off and sat down at the piano and played. ‘And that was that,’ she said, returning to us. ‘That was that’” (59). Lucy’s attention to the changes in Catherine’s physicality and her imagining of what Catherine perceives indicates Lucy’s intense compassion. The repetition of the phrase “that was that” has the quality of a magic spell, as Catherine spins the illusion that her romance with Wilhelm was simple and inevitable. However, the matter of the left-behind daughter, reveals a more complicated truth.

Lucy does not judge Catherine herself but allows William to drop in the comment that “the kid […] would have been about a year old. She would have been practically walking, Lucy, when my mother just strolled right out the door” (72). William, who first denied his mother’s secret daughter because he considered it opposed to his image of Catherine, now allows himself to contemplate the destructiveness of her romantic escapade. In voicing these different perspectives, Strout creates suspense about both Catherine’s actions and her character. William and Lucy’s shifting notion of Catherine’s identity foreshadows Lucy’s own developing realization that her identity is not defined by William or their marriage, and that he will come to mean something different to her than when they were first together. 

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