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Radar, Ben and Lacey take turns calling their parents to explain why they are missing graduation. After that, they all settle into specific roles for the road trip. Lacey is the “provisioner,” responsible for food and supplies. Radar is “Research and Calculations,” he maps their route, schedules their gas station stops and calculates what speed they will need to maintain in order to reach Agloe on time. Quentin’s role is “to drive, and to be nervous” (245). Ben’s function is to let everyone know that he needs to pee, which provides a moment of comic relief because they have just left the school and have about four hours to go before their first stop. Ben and Radar are also still wearing their graduation gowns, and, as agreed, are naked underneath. Radar has calculated that Quentin must drive 72 miles per hour, which means exceeding the speed limit. Nonetheless, the group is in high spirits as they start out together on their road trip.
As they drive, Quentin and the others play a game of “Metaphysical I Spy,” in which they only “spy” abstract things. Radar spies something that he says is “tragically hip.” Quentin guesses that it is their road trip in the minivan. Radar tells them that it is actually the fact that they failed to turn in their rented graduation robes on time. Still going 72 miles per hour, Quentin speeds past a policeman, though luckily, they are not pulled over.
Lacey creates a detailed shopping list for the group in preparation for their very first stop. It all has to be executed quickly, as they have no time to lose. The gas station is nearly two hours away, but Ben desperately has to pee. Since they cannot stop, Ben uses two of the beer cans from the cooler, emptying them into the road. Though the friends are disgusted, they are in good spirits again after Ben has relieved himself. After just a few moments, however, Ben announces that he has to pee again.
Radar has calculated that the group only has six minutes to spare for their gas station stop. Lacey comes up with a plan to make sure that they get all the provisions they need, giving everyone a list with their items on it, including clothing for Ben and Radar. When they reach their destination, they run out of the minivan, with Radar pumping gas while the others race through the station and bring items to the counter. Though they look comical running back to the minivan with their arms full—Ben still in his graduation gown—Quentin feels happy. He says that he does not quite know how they look, but he knows how he feels: “Young. Goofy. Infinite” (254). As they jump into the minivan and Radar speeds off, they are ecstatic to find that they are actually ahead of schedule.
As Lacey sorts through the provisions they have secured and arranges them in groups based on a system that is both strange and intriguing to Ben and Quentin, she realizes that Quentin has forgotten to get any healthy food. She complains that she cannot eat any of the junk food as it will make her fat. The boys tease her with one of their favorite items, a chocolate-flavored nutrition bar. She finally takes a bite and is unable to hide just how great the bar tastes. To Radar’s horror, the shirt Ben bought for him in the gas station has a Confederate flag on it. Under the flag is the slogan, “Heritage Not Hate.” As Radar is African-American, he chides Ben for getting his “token black friend” a racist shirt, though he ultimately laughs at the irony.
The group finally hits the traffic they were afraid of in South Carolina. To pass the time, Quentin and Radar play a game where they make up life stories for the other drivers. Watching a Hispanic woman in a neighboring car, Quentin says that she is an undocumented immigrant who left her family behind for a better life in the U.S., and whose husband is a migrant worker who is gone for most of the year. Radar says that Quentin is being melodramatic, and that based on her nice clothing the woman is a secretary in a law firm. He also says she is studying for a law degree. Radar’s story causes Quentin to think about the different and sometimes distorted ways in which people view others. As if reading Quentin’s mind, Radar says that the game reveals more about the person playing it than the person in the neighboring car. Quentin thinks of Whitman again, and wonders if it is possible to fully become another human being.
The group of friends is elated to be on a road trip together, and the feeling of leaving everything behind is wildly contagious for them. They are in good spirits, even though Ben constantly and both Radar and Ben are completely naked under their graduation gowns. Interestingly enough, Quentin comments on the fact that they naturally fall into particular roles, highlighting people’s proclivity to follow set paths.
Their food situation is another indicator of social roles. Ben and Quentin fit the stereotypical role of teenage boys who love their junk food. They purchase only what they like, with Quentin actually forgetting the healthy items on the list. Lacey is not angry because she likes to eat healthy, but because she’s afraid the junk food will make her fat, thereby placing her into the role of the popular girl obsessed with her body.
Quentin and Radar’s game, in which they make up life stories for the people around them, is an interesting critique on societal views, as well. Quentin imagines the Hispanic woman is an illegal immigrant whose husband is a migrant worker. He imagines her story is one of struggle—particularly class struggle. Radar, however, sees her nice clothing and assumes she has a white-collar job, and that she is studying to get her law degree as well. As an African American, perhaps Radar has a different insight into the woman’s circumstances. His comment that Quentin is melodramatic suggests that he is both used to these types of assumptions about people of color and that he finds no animosity in them. As Radar later states, the game reveals more about the person imagining than the subject. This again recalls Whitman’s poem and the fact that it is hard to truly become another person. Quentin’s approach to the Hispanic woman shows that he might not be able to “become” another person very easily.
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By John Green