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71 pages 2 hours read

Shogun

Fiction | Novel | Adult | Published in 1975

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Themes

Political Maneuvering in 17th-century Japan

In the 17th-century Japanese political system depicted in Shogun, leaders have a draconian hold on their citizens. The word of the daimyos is law, and the people they rule are subject to their whims, which often masquerade as political expediency. Nevertheless, politics in Shogun is an unforgiving game that penalizes everyone—even its most successful practitioners often end up brutalized.

The best political mind in the novel is Toranaga. Everything he does advances his cunning strategies, the goal of which is to become shogun. After the death of the Taiko, Toranaga promised to protect the young heir, setting up the Council of Regents specifically made up of daimyos who hate each other—enmity Toranaga could exploit. As the Council of Regents try to gain more power for themselves, squabbling over every action and counteraction, Toranaga schemes in a variety of ways. He knows that only a five-member Council has power, so he resigns at the perfect time to deny the others a quorum. Later, he stalls the Emperor’s arrival, pretending to activate a war operation ominously called Crimson Sky, to force his main rival Ishido to reveal his plans. However, part of Toranaga’s success stems from the fact that he is willing to let others think he is slow, weak, confused, and vulnerable—qualities that are against samurai code. This pragmatism and his constant need to be several steps ahead of everyone else leaves Toranaga alone and friendless, suffering from loneliness even as he ascends to ultimate power.

Toranaga’s political foil is the conniving, vicious, and treacherous Yabu. Yabu is worse at politics than Toranaga because he would never allow himself to appear weak, even as part of a strategy, which makes him more predictable than Toranaga—and thus exploitable. Unlike Toranaga, Yabu doesn’t understand that courtesy and compliments can be political acts. Toranaga never treats Yabu better than before he is about to punish him, and although Yabu knows that in theory “by universal custom, your enemy is never more polite than when he is planning or has planned your destruction” (266), Toranaga’s politeness still deeply unsettles and confuses him. Yabu schemes and plots, successfully jockeying between two masters until Toranaga exposes his betrayals and orders his death.

Some characters refuse to engage in politics, typically out of idealistic stubbornness. Blackthorne is, at first, poorly suited to the Japanese culture because he is so anti-political. He refuses to act submissive or to retreat when he feels threatened or insulted. His demeanor is at odds with the samurai code, which stresses self-control, impassiveness, and calm as the only acceptable way to act in public. Though he never achieves the self-mastery of Toranaga, Blackthorne slowly figures out how to not let his anger get the best of him, allowing him to maneuver around potential enemies like Omi and Alvito. Similarly, Toranaga’s trusted lieutenant Hiro-matsu is shocked by Toranaga’s willingness to subvert bushido. Hiro-matsu is deeply committed to samurai code, unwilling to countenance the use of guns, trickery, and loss of face, even if these tactics would mean victory. Knowing this, Toranaga uses Hiro-matsu’s well-known reputation as part of his deceptive plans.

Obedience and Honor

The novel explores how Japanese society enforces obedience, which differs depending on class and status.

The lowest members of society, peasants, are obedient because of fear: The penalty for resisting the orders of their ruler is usually death, and samurai are legally allowed to kill any non-samurai, no questions asked. Even breaches of etiquette for peasants under a samurai’s fief have lethal consequences, as Blackthorne quickly learns when he witnesses the beheading of the man who breaks seemingly trivial aspect of protocol. One of the major flaws in this system is its malleability: The person in power can define the nature of duty, or success, punishing failure to meet a somewhat arbitrary standard accordingly. Daimyos with a reasonable sense of duty help their people thrive. However, monsters like Yabu cruelly exploiting their power under the guise of establishing duty. For instance, to get his villagers to teach Blackthorne Japanese, Yabu threatens that they will all be killed if they do not achieve the desired result.

Samurai obedience is achieved completely differently. The focus of the samurai’s life is unquestioning fealty: Unconditional obedience is such a high ideal in bushido, or the samurai code of honor, that the word samurai literally means “servant.” To defy one’s lord is to dishonor and bring shame onto oneself—which is seen as significantly worse than death. In fact, the clearest, most extreme version of the Japanese commitment to honor—and their antipathy for shame—is the ritual of seppuku. The samurai would rather die than live with the shame of losing face, or of failing their lord’s expectations.

The belief in karma and reincarnation influences ideas surrounding shame as well. If death is a temporary waypoint between lives, then a good death that removes shame—for instance, through honorable seppuku—will lead to rebirth in a better form. Many characters in the novel specifically request the honor-restoring ability to die by seppuku, which is doled out as a mercy (for example, when Omi slips the samurai in the pit a knife) or withheld as a punishment (for instance, when Toranaga refuses it to the samurai who almost attacks Ishido during a meeting).

The Value of Secrets

Secrets function in a variety of ways in the novel. They are a way to explain the way Japanese cultural practices differ from those of Europeans, an important currency, and a power source for women.

Clavell insists that Japanese mores require that people hide their true selves from those around them—a trope that often features in anti-Asian bias to this day. While the novel draws no generalizations or conclusion when its European characters do not reveal their motives or inner desires, the Japanese are portrayed as purposefully inscrutable. Rodrigues, a man who is comfortable enough in Japan to have married a Japanese woman, still falls for this racist stereotype: “It's a saying they have, that a man has a false heart in his mouth for the world to see, another in his breast to show to his special friends and his family, and the real one, the true one, the secret one, which is never known to anyone except to himself alone, hidden only God knows where” (173).

Secrets are also tools and currency. One of the things that makes Blackthorne a valuable pilot to his Dutch employers is his knowledge of trade secrets—sailing routes and navigational strategies. After the shipwreck, Blackthorne, Rodrigues, and the other Europeans are desperate to retrieve the rutters, pilot journals that contain information that could be used against the crown and details about sailing safely to Japan. Similarly, Toranaga quickly realizes that Blackthorne’s knowledge of naval warfare, European battle strategy, the Western perspective on cartography, the division of the known world will prove invaluable. Though Toranaga is confused and amused by European issues like the conflict between Christian sects and the idea that foreign governments have divided the world up into cartographic demarcations, and that Japan is thought to belong to European rulers, he understands that if he can integrate Western knowledge into his politics and military actions, he will be more powerful in his eventual ascension to the rank of shogun.

Finally, women in the novel often lack substantive ways to hold and wield power. However, we see one ambitious woman, the procuress Gyoko, use the secrets told to her courtesans by their clients to leverage her way up. Her motto is that “Men need to share secrets […] but we women only reveal them to gain an advantage” (869). Allying herself with Toranaga, Gyoko sells the secrets that give him an edge for control of the Willow World and a samurai title for her son.

Differing European and Japanese Perspectives

Much of the tension (and humor) in Shogun arises from differences between European and Japanese views of what is appropriate and civilized.

Initially, Blackthorne and his men consider the Japanese primitive for countenancing torture and having little value for their own lives. In turn, the Japanese refer to Blackthorne and his shipmates as barbarians for their lack of hygiene, endless appetites, and sexual prudery. Blackthorne cannot imagine bathing every day and finds it ludicrous that the Japanese do not eat meat other than fish. However, after several months, Blackthorne assimilates to such a profound degree that he sees his men from a Japanese point of view: Their smell offends him and he is embarrassed that they like living in an eta village. Alongside adopting Japanese hygiene, diet, and massage, Blackthorne internalizes some aspects of the samurai honor code, becoming a valued hatamoto.

The novel also explores differences in conceptions of romance and sexuality. Mariko claims that the Japanese do not have a word for romantic love, though this linguistic anomaly seems to point more towards her abusive marriage with Buntaro than any actual difference in psychology. Later, when she experiences what Blackthorne means by love in their relationship, she thinks that the word love is insufficient to describe her feelings. Conversely, Mariko cannot understand Blackthorne’s European fear of same-sex activity, which he calls a sin. Japanese culture believes that consensual and pleasurable physical coupling harms no one.

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