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Scott realizes that Bobby won’t read his article because he is functionally illiterate. The next day, Bobby, Dad, and Scott go trout fishing on opening day, which reminds Scott that not everything has changed. Scott accompanies Dad to the dealership for Take Your Child to Work Day. While there, he discovers that he can speak and understand Spanish when he translates a request from a Hispanic couple for his father.
The play opens, and both Wesley and Lee attend. Scott takes care that his friends don’t meet each other because he is concerned that they won’t get along. He reads his newest article to Bobby, who is impressed, and the brothers make up. Later, Scott admits in his journal that he is looking forward to having another brother. At the play’s final performance, Bobby tells Scott that he can do whatever he sets his mind to. After the play is over, the stage crew also congratulates Scott on his work.
Scott tests Bobby’s belief in him by asking Kyle if Kelly would mention him to Julia. Kyle insults Scott instead, and Scott realizes that Kyle is the one who wrote the slur on Lee’s locker. They fight, and Scott is surprised when he pins Kyle.
Lee asks Scott to go to the final dance. When he compliments her on the joke, he realizes that she was serious and he has hurt her feelings again. Meanwhile, Kelly lures Scott to the deserted multipurpose room, telling him someone wants to talk to him about the dance. Believing it is Julia, he follows her into a trap. Vernon attacks him from behind, hitting him in the head and then kicking him repeatedly once he falls. While kicking Scott, Vernon warns him to leave Julia alone. Afterward, Scott hears Kyle and Kelly in the background; Kelly is concerned about how badly Scott is hurt, but Kyle urges Vernon and Kelly to leave Scott there. When Wesley sees Scott’s injuries, he offers his help. Mom and Dad also are concerned and ask if they can help, but Scott refuses to talk about what happened.
Despite his humiliation, Scott is more concerned about how he hurt Lee’s feelings. His father, however, advises Scott to wait until Lee isn’t angry before apologizing. Scott finally asks Lee to the dance, but she refuses. He doesn’t accept her refusal and tells her he will be at her house at 7:00pm on Friday.
On the way home from the library, Scott sees Julia scramble out of Vernon’s car after a fight and walks her home. She asks him to the dance, and he refuses, telling her he already has a date.
That night, Scott hears Bobby answer the phone late at night. Bobby’s friend, Charley, wants to get the band back together in Nashville because he has an audition set up to be an opening band on tour. Scott urges Bobby to take Mom’s car and go to Nashville for the audition. The next morning, Mom and Dad are concerned but also happy that Bobby is finally pursuing his dream.
Because Bobby took the car, Scott doesn’t have a ride to the dance. He asks Wesley to drive instead and gives him money for gas. Lee still hasn’t agreed to go, so Scott asks her publicly in the cafeteria in front of the popular girls. That night, he dyes his hair red to support Lee.
Wesley picks up Scott in a “borrowed” stretch limo, dressed as a chauffeur. When Scott arrives at Lee’s house, he doesn’t recognize her because she has removed her piercings from her face, dyed her hair black, and put on a dress.
On the way to the dance, Scott sees the Corvette broken down on the side of the road; Mom is in labor. They join Scott and Lee in the limo, and Wesley drives to the hospital at high speed, chased by a police cruiser for the last leg of the trip. Mom is admitted to the hospital, and Wesley talks his way out of the speeding ticket. After telling Lee she has style, he leaves the couple at the dance, promising to pick them up when it’s over.
Everyone stares at Lee and Scott when they walk in together, but they ignore the attention and dance together. Afterward, Lee urges Scott to ask Julia to dance since she is alone. After they dance, Julia tells Scott that he has it made, but Vernon breaks in and pushes Scott’s shoulder. Scott is no longer afraid of Vernon, however. The stage crew and basketball players cut off Vernon’s friends, and Vernon backs down, calling Scott and Julia losers. Scott returns to Lee, and they dance.
When Wesley picks Scott and Lee up to return to the hospital, Scott discovers that the limo company belongs to Wesley’s father. He invites Lee and Wesley in to see his new brother, Sean. In his journal that night, he promises Sean he will never let him down.
Scott continues to write and receive letters from Mouth. He, Wesley, and Lee have become fast friends, while Julia is now dating a nice guy. Even though Sean takes up much of Mom and Dad’s time, they have even more time for Scott. Bobby is on tour and bought Scott a new computer with his first check. The biggest news, however, is that Scott has survived his first year of high school.
In the concluding section, Lubar explores the motifs of bullying and change to steer the narrative to its climax and resolution. Scott’s changes reach fulfillment as he learns to discern the difference between appearances and truth, and he is confident enough in his chosen identity to choose relationships based on shared interests and respect. He abandons his attempts to fit in, focusing instead on friends who make him happy. Through his newfound confidence, he becomes someone others can rely on.
Lubar employs irony in this last section to expose the misperceptions Scott has perpetuated throughout the narrative. For instance, when Wesley says he borrows cars or Jet Skis, Scott assumes that “borrows” is a euphemism for theft. However, Wesley truly is borrowing the vehicles from his father’s rental company. Although Scott knows that Wesley is still a sometime thief, he decides that Wesley has his own code of honor and continues to count him as a friend, illustrating that Scott has begun to look beyond appearances to Wesley’s true nature.
Another example of irony is Scott’s popularity. Throughout the narrative, Scott tries to fit in to be popular. However, he becomes popular when he stops trying to fit in and embraces his identity as a writer. The basketball players and stage crew also accept Scott because he is hardworking and likable, not because he is cool or popular. Scott learns to be true to himself through the examples of Wesley and Lee, who don’t care what others think of them and are confident in their individual identities. These new friendships help him overcome his fear of Vernon and recognize that Vernon, unlike Wesley, only pretends to be tough; he’s a coward who allows fear to rule his life. Ironically, when Scott started high school, fear ruled his life, but because he accepted himself and his limitations, he grew beyond his insecurities.
His infatuation with Julia drives Scott to try new activities at school, but they bring him no closer to Julia. Instead, his new talents and interests allow him to grow into his identity as an individual. His new confidence in himself allows him to see Lee as another unique individual with whom he shares common interests; thus, his infatuation with Julia ironically brings about his romantic relationship with Lee. Lubar alludes to “The Gift of the Magi” by O. Henry, an ironic short story in which two lovers give up their most prized possession to give a gift to each other; on the night of the dance, Scott dyes his hair red for Lee at the same time she dyes her hair to its original color and puts on a dress for him. By this point, both Scott and Lee are comfortable enough in their own identities to change temporarily to make the other feel more comfortable. Scott ironically doesn’t realize this about himself when he relishes his moments with Lee at the dance, stating,
So there I was [...] dancing with a great girl. A girl who wasn’t afraid to be herself. And who wasn’t afraid to step away from the safety of her chosen identity. I doubt there were many other kids [...] who had the courage to do what Lee had done (269).
The irony is that Scott himself had the courage to do what Lee had done; he just doesn’t realize it. He also doesn’t realize his accomplishments until Julia points them out; while he spent most of the year thinking Julia had it made, he was the one who accomplished more.
Even Scott’s most haunting failure—that of not liking Mouth and feeling guilt about Mouth’s suicide attempt—is a misperception on his part. Lee points out that Scott is lying to himself when he says he was nice to Mouth even though he didn’t like him; she believes that he liked Mouth all along. This epiphany informs Scott’s decision to continue to write to Mouth and focus on what Mouth has to say in the letters he writes back, leading to an epistolary relationship that benefits both.
The culmination of all the changes Scott undergoes enables him to take charge and help others. He talks Bobby into taking a chance on the audition in Nashville, encouraging him to take Mom’s car and loaning him gas money to get there. He also encourages Julia at the dance, telling her she is gorgeous, smart, and wonderful. Despite Lee’s repeated rejections, he persists and convinces her to go to the dance with him. Most importantly, he rescues his mother and father, getting them safely to the hospital with the help of his friends. The positive effects of the changes to Scott’s family and friend relationships convince Scott that, overall, change is beneficial.
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