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Fern Brady (b. 1986) is an Irish-Scottish comedian, well-known in the United Kingdom for her appearances on television shows like British as Folk and Taskmaster. She was born and raised in the small town of Bathgate, roughly twenty miles west of Edinburgh. After working as a stripper to pay for her education at the University of Edinburgh, Brady discovered her passion for stand-up comedy in 2010 while on assignment as a writer for Fest Magazine at the Edinburgh Festival. She was tasked by the magazine with trying stand-up herself and then writing an article about it. By 2013, she had placed as a finalist in some of the country’s most notable comedy competitions, including Edinburgh Fringe’s “So You Think You’re Funny?” and the Hackney Empire New Act of the Year.
Strong Female Character follows Brady’s personal and professional struggles as a woman with undiagnosed autism, spanning from her childhood to the early stages of her career. She presents her own story as emblematic of a broader failure in the medical field to diagnose women and girls with autism because of widespread gendered perceptions of the neurodevelopmental condition. In this way, the memoir functions not only as a generic rise-to-fame story but also as an individual’s testimony to the intersections between feminism and the autism acceptance movement. She writes in Chapter 1:
I began to realize that an autistic brain could provide an escape route from the traditional paths laid out for women. In turn, the problems experienced by autistic women sparked wider conversations around how society views women generally (38).
Brady’s divergence from patriarchal gender norms arises in many ways, including through her bisexuality, neutral approach to sex, and incongruence with more traditionally feminine women. While these things cause extreme conflict in her life, she is open and unyielding in her support for her earlier attitudes and behaviors. Her eventual autism diagnosis explains much of this, though she initially reacts with self-disgust and shame despite having guessed at her autism since childhood. A major personal journey within the memoir is Brady dispelling internalized negativity surrounding her diagnosis and its impact on her life. Medical validation, financial stability, and emotional support from her boyfriend Conor and friend Lauren are all framed as crucial to this development.
Throughout childhood and young adulthood, Brady has a particularly tumultuous relationship with her parents. This tension is driven largely by her lack of diagnosis; neither her mother nor father suspect that Brady is autistic, and they therefore do not understand how to appropriately parent her in key moments. Brady describes her experience of childhood largely as one of ostracization, both outside and inside her family home. She reports receiving messaging from her parents that she was “very, very clever but also very, very bad” (13). As her mental wellbeing deteriorates during adolescence, her parents take drastic actions that further antagonize Brady. Her mother begins kicking her out of the house whenever she behaves poorly, and they eventually decide that Brady will do well Westleigh Way, a facility that turns out to be medically neglectful. These early traumatic experiences leave Brady resentful of her parents, particularly her mother.
In adulthood, Brady’s relationships with her mother and father shift, especially following her diagnosis. She finds herself reassessing a long-held belief that her mother was an entirely unsupportive figure in childhood:
When I’d wanted to do [high school courses] that were almost entirely foreign languages and Dad had mocked me and told me to do physics, she’d encouraged me. When I’d refused to do maths, she’d supported it. When I’d wanted to rent a beginner’s guide to Danish from the library or paint Chinese characters on my bedroom wall or recite French verb drills for two hours at a time, she’d been there (282-83).
This development toward a more nuanced understanding of her mother is one of the most marked shifts in Brady’s character. It is also the memoir’s conclusion point, ending the arc that began with Brady’s testy conversation with her father on the phone in the opening scene.
Conor is Brady’s long-term partner during the early stages of her comedy career and at the time of writing Strong Female Character. The book is dedicated to him. Brady describes Conor as a “peaceful Irish lad […] who’d grown up in an environment of near-monastic silence by the sea” (19). Coming from a completely different background than Brady, Conor is one of the first people in her life to notice and accommodate some of her autism symptoms, even before she receives a diagnosis. For example, he begins giving her tight hugs during meltdowns, a technique widely used to calm children with autism down during moments when they are acutely overwhelmed.
Brady’s supportive relationship with Conor is contrasted starkly with her prior romantic relationships, which were largely unsupportive. In particular, her relationship at university with a man named John became physically abusive and led to a series of emotional meltdowns and burnout for her. This extreme counterpoint emphasizes Conor’s maturity and genuine concern for Brady’s well-being, as well as the health of their relationship. In the acknowledgments section, Brady thanks Conor for “supporting me in pursuing a diagnosis, then listening to a daily, incessant stream of facts about autism for the next three years and only complaining once.” This highlights his years-long commitment to facilitating her self-discovery, an extensive form of support that inevitably appears truncated within the form of a 300-page memoir.
Lauren is one of Brady’s closest friends, who she met in high school. Although Lauren was popular in school while Brady was not, the two girls were able to bond because “Lauren’s gayness and my autism meant we both had a distaste for so-called ‘normal’ social dynamics” (81-82). Lauren and Brady share a keen sense of otherness amid the homophobia and ableism of late-nineties and early-2000s teen culture. This connection proves to be a solid foundation for a long-lived friendship, and Lauren appears throughout Strong Female Character as one of Brady’s most consistent supporters; many scenes with Lauren involve the two women laughing together.
Though Lauren is less present in Strong Female Character than other figures, her importance is made clear in the book’s acknowledgements section, where Brady describes Lauren as “the wind beneath my wings” (287). She has a steady, unspoken presence, appearing in the middle of Brady’s most difficult moments. For instance, during Brady’s almost-confrontation with Millie, Lauren is there to support and help Brady leave without being completely embarrassed. Lauren also helps Brady by staying with her inconsolable mother in the audience of one of her earliest comedy shows, demonstrating that friendships have provided Brady with a support system her parents could not.
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