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24 pages 48 minutes read

The Ambitious Guest

Fiction | Short Story | Adult | Published in 1835

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Themes

Human Beings Versus Nature

In many of his works, Hawthorne examines the need for humans to follow and respect the power of nature. For example, the power of nature and the importance of abiding by natural laws feature heavily in “The Birth-Mark” and The Scarlett Letter. From the first paragraph of “The Ambitious Guest,” the conflict between the family and the mountain where they reside is evident. The family ignores the many warnings given to them by their environment and believes that they can outsmart nature by building a shelter to protect themselves from the landslides. However, their efforts are ultimately proven futile when they perish in a natural disaster.

The juxtaposition between the warmth inside the inn and the cold outside particularly highlights the theme of human beings versus nature. The warmth inside the inn is a controlled and man-made environment created by the family to give them a sense of safety; the fire literally and figuratively “brighten[s] the room with its broad blaze” (299). However, the cold and danger represented by the mountains outside, which is an uncontrolled and natural environment, is always threateningly present in the narrative. The fire that gives the family warmth is itself a reminder of nature’s superiority because some of the wood that is used to light the fire is from the “splintered ruins of great trees” that fell due to previous landslides (299). Therefore, the sense of security that they have built around themselves is false.

On some unconscious level, the family seems to be aware of the danger because their mood dampens whenever they hear the wind. When the family laughs with each other in response to the eldest daughter’s jokes at the beginning of the story, nature threatens to invade the man-made space of the inn. The wind is described as “rattling the door” of the inn (299). This gives the elements an anthropomorphic quality; like the guests who stay with the family, the wind is constantly trying to enter the inn. Later, after the guest’s arrival, the family hears rocks tumbling down the mountain, but they ignore this warning and seal their fates. The characters’ demise illustrates humanity’s frailty against the might of nature.

Ambition Versus Fate

Another key theme in “The Ambitious Guest” is that of ambition versus fate. When the guest talks about his desire to do something noteworthy and have a monument built for him, he spurs the family members to vocalize their hopes and dreams as well. Apart from the mother, each character reveals a cherished ambition: The father wants another life for himself and his family in a more sociable place, the eldest daughter wants to be married and have a family of her own, the grandmother wants to be buried properly, and the little boy wants to go to the Flume. However, in the excitement of expressing their desires, the characters forget that their destinies are not in their own hands, but rather are determined by a much greater power. This creates a sense of irony that culminates when the family and the guest are killed by a landslide almost immediately after voicing their hopes and dreams. The characters’ deaths highlight the frailty of humans’ lives and that fate is apathetic to their desires.

The theme of ambition versus fate demonstrates how Hawthorne’s Dark Romantic conception of the self and nature differs from the ideal of the self and nature found in Romanticism and Transcendentalism. Rather than nature being a source of joy or helping the individual transcend the barriers of material life, nature becomes a deadly force in Hawthorne’s short story. Similarly, rather than focusing on individualism and perfection, characters in “The Ambitious Guest” are represented as victims of their environment and unaware of their own limitations. In the conflict between fate and human ambition, fate inevitably emerges as the victor in this story. 

The Desire to Conquer Death

The ambitions the story’s characters express nearly all reflect a desire to transcend death. The characters are not unaware of their mortality—the setting alone makes death an ever-present possibility—but if they do not express a desire for literal immortality, they nevertheless seek figurative ways to survive their deaths. The guest is the prime example: “He could have borne to live an undistinguished life, but not be forgotten in the grave” (301). He later speaks of his desire for a “monument” that will preserve his memory—a way of overcoming the barriers of death and becoming immortal. He even states that he “cannot die till” he has achieved his dreams (302), as though holding death off were in his power. The father also expresses his desire to be remembered. He notes that he wants a headstone documenting his name and age and letting people know that he was a devout man. The grandmother’s ambitions are most telling of all. As she herself notes, her age means that thoughts of death are never far from her: “Now what should an old woman wish for, when she can go but a step or two before she comes to her grave” (305). Nevertheless, she too tries to meet death on her own terms. She has already selected the clothes she wants to be buried in, and she now tells her family that she would like someone to hold a mirror up to her before burial to ensure she likes what she sees. This, she believes, will ensure that her body is not restless in death.

However, death has its own time and does not respond to human desire, as all the characters learn by the end of the story. None of them get the death they had desired, and while the tragedy of the landslide does ensure the family’s preservation in legend, their “monument” recalls their deaths rather than their lives and therefore does not immortalize them in the sense that they desired. Ultimately, the story warns against seeking such “Earthly Immortality.” Life is ephemeral by nature, Hawthorne suggests, but people too often fail to fully accept this fact. They are “ambitious guests”—temporary residents who think and act as though they were permanent ones.

The story provides a hint of consolation to offset this harsh reality when it describes the feelings developing between the guest and the eldest daughter: “Perhaps a germ of love was springing in their hearts, so pure that it might blossom in Paradise, since it could not be matured on earth” (304). The passage relies on the traditional Christian notion that while earthly life is transient, the human soul is not; what’s more, what awaits people after death is a much fuller form of existence, making attempts to attain immortality on earth not only futile but also wrongheaded. However, the phrasing is tentative, relying on “perhaps” and “might,” and the story as a whole does not seek to mitigate the darkness of the characters’ fate. In the final lines, Hawthorne cautions against the arrogance of believing that one can conquer death merely to avoid the “agony” of realizing that one cannot.

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