75 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Sunlight symbolizes the presence of God and moments of spiritual understanding and transformation. One of Alyosha’s earliest memories of his mother involves watching her sobbing and praying before an icon in a room filled with “the slanting rays of the setting sun (those slanting rays he remembered most of all)” (18). The significance of this memory for Alyosha is connected to his love for humanity and his desire to escape from the dark, wicked world toward “the light of love” (18). This memory of his mother praying for his safety shortly before her death stays with Alyosha throughout his life, and it becomes imbued with the symbolism of sacrifice and redemption. Alyosha’s love for his mother and grief over her death is one of the motivations for his entry into the monastery.
One of Zosima’s childhood memories similarly includes rays:
[F]rom above, through a narrow window in the cupola, God’s rays pouring down upon us in the church […] I looked with deep tenderness, and for the first time in my life I consciously received the first seed of the word of God in my soul (291).
For Father Zosima, this memory of sitting in a church and feeling the presence of God contributes to his decision in adulthood to join a monastery.
When Dmitri is in jail awaiting trial, he tells Alyosha that he has reconciled himself to prison. He says that even if he is “locked up in a tower,” he will be okay because he will still be alive and he will know “that the sun is” (592). Dmitri states that though he will be underground and unable to see the sunlight, even knowing that the sun exists will give him the strength to endure. This suggests that in suffering, people can become more attuned to the spiritual aspects of life because they are deprived of earthly, material pleasures.
Scent is a complex symbol that captures the tension between faith and science. Many characters have the superstitious belief that the scent of one’s corpse indicates their spiritual purity: A body without odor indicates a pure soul that will enter heavenly paradise, while a malodorous body indicates a corrupted soul. After Father Zosima’s death, many characters expected his body would be odorless because of his spiritual status. When Zosima’s body smells, there is a sense of chaos, and his enemies, such as Father Ferapont, take the opportunity to criticize the institution of elders and claim that Zosima was prideful. However, the narrator mentions details, such as Zosima’s age, his illness, the temperature outside, and the small fact that no one thought to open the windows to the room where his body was held, which indicate a scientific explanation for the body’s putrescence. However, Alyosha is still dismayed when his elder’s body decays so fast, and he is even more disturbed by the people who seem to revel in Father Zosima’s downfall.
In contrast, Ilyusha’s body emits no odor, which can be perceived as a miracle but is also explicable by the weather, his age, and the type of illness he had. However, it can also indicate the purity of his soul. The author leaves this open to interpretation, which is a key element of discerning a miracle from a natural event, or perhaps the idea is to complicate the relationship between miracles and natural occurrences.
Scent also symbolizes the moral ambiguity of the character Smerdyakov. His name means “son of the stinking one,” referring to his mother, who was called “Stinking Lizaveta.” Lizaveta was a homeless woman who was a “holy fool,” refusing any help and donating any clothing that was given to her. Though she was good, she was associated with a bad smell due to her poverty. Smerdyakov is ashamed of his origins, and his resentment fuels his anger toward his brothers, particularly Dmitri, who, in Smerdyakov’s view, has squandered his inheritance. His name is a constant reminder of his outcast status within the family, and it may symbolize a core rottenness. Smerdyakov’s culpability in the murder of Fyodor is left unclarified, as Ivan is deemed primarily responsible.
Childhood memories are presented as moments of sacred meaning that characters carry with them into adulthood. During the trial, Dr. Herzenstube says that when Dmitri was a child, Dr. Herzenstube felt sorry for him because Dmitri was neglected, so he brought Dmitri “a pound of nuts” and taught him how to say “God the Father, God the Son, and God the Holy Spirit” in German (674). Years passed, and he hadn’t seen Dmitri in a long time. Dmitri unexpectedly visited Dr. Herzenstube and repeated the phrase in German. Dmitri thanked him because no one else had ever done something like that for him. Dr. Herzenstube said that he and Dmitri began weeping and laughing. The importance of Dr. Herzenstube’s small act of kindness toward Dmitri shows that this moment was extremely meaningful for him and shaped his character in a remarkable way. At Dmitri’s lowest moment, when he is on trial for a murder he did not commit, this memory gives Dmitri hope and suggests that he will find salvation.
There are several references to how memories from the parental home can serve as reminders of what is sacred and true, even into adulthood. In Alyosha’s speech to the schoolboys, he tells them to forever remember this moment of togetherness. In Zosima’s recollections from childhood, his brother’s death occupies this special role as a reminder throughout his life of what is important: Remembering his brother’s words to the family servants inspires him to apologize to his servant, and this gives him the strength to stop the duel.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Fyodor Dostoevsky