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“This was the day we were scheduled to disembark in Havana,” the chapter begins (171). The fate of the 936 passengers onboard, however, rests in the hands of the Cuban president, who might allow the ship to dock or send it back out to the ocean. Hannah is awake at four in the morning. She has been unsuccessful in finding the cyanide capsules. Passengers have brought their luggage out into the corridors. A Cuban doctor has come onboard to perform checkups on all of the passengers. Hannah’s mother seems to be ill, pushing Hannah away when she tries to hug her. Leo comes by with news: “A ship left Hamburg today bound for Havana and had to change course when it was told the Cuban government wouldn’t let its passengers land” (173). Out on the deck, Hannah describes the smells of Cuba as a “sweet mixture of salt and gasoline” (174). Crowds begin to gather on the shore and in the port, aware of the ship’s arrival. Walter runs by, stating, “They’re demanding a bond of five hundred Cuban pesos per passenger as a guarantee,” a figure which is close to $500 (174).
Only two Cubans and four Spaniards are allowed to leave the ship. Hannah can see cars speeding along the waterfront road out the porthole windows. Mr. and Mrs. Moser come by Hannah’s family’s cabin. Mrs. Moser says that her husband wants to die: “He wants to throw himself into the sea” (178). She seems to believe that the Rosenthals are powerful enough to change everyone’s circumstances. Hannah’s father promises to find a solution to Mr. Moser’s suicidal inclinations. Hannah notes that her father has turned into his old professor self again. He plans to write the presidents of Cuba, the United States, and Canada on behalf of the passengers onboard the St. Louis. The Mosers are encouraged by his words. Mr. Moser seems to have hope. Nevertheless, that night Mr. Moser severs his arteries and passes away. Mrs. Moser finds him in the morning in the bathroom. When Hannah’s father is told, he is “too preoccupied with [his] own anguish” to show any emotion (181).
Leo tells Hannah of his plan to set the whole ship aflame. Cuba has “accepted less than thirty passengers—the ones who had landing permits issued by its state department—but rejected those signed by the director-general of immigration, Manuel Benítez” (183). The Benítez passport is the kind that Hannah’s family has. Hannah’s father’s passport is stamped with a large “R: for return or rejected or repudiated” (184). The passports of Leo, his father, Walter, Kurt, and Ines have all met the same fate. Hannah realizes that they had all been foolish to trust those who told them that their passports would grant them entry to Cuba in the first place. Leo and some men from the banquet conspire about setting the ship on fire or commandeering it. Hannah goes to the far end of the deck to take photos and observe people. Leo finds her and the two of them stand hand in hand, watching the boats pass in the water below.
Hannah lays down beside her father in bed and watches her mother open her jewel case, which is an antique music box. Hannah remembers being hypnotized by the special box as a child before realizing that the jewel case must be where the cyanide capsules are hidden. When she is alone again, she opens the jewel case and finds the capsules inside. She runs to find Leo. In the dining room, she gives him the bronze tube containing the capsules, and Leo leaves the room. There is another fancy dinner with black caviar and dancing. A tall woman sings a German song, and the atmosphere in the room turns “mournful” (192). Leo returns. He tells Hannah that he’s thrown the capsules into the sea.
These chapters revolve around the technical, legal, and political conflicts that attended the St. Louis’s arrival in Cuba. Although the ship landed in Havana, a new law that prevents them from disembarking has been enacted. A cable from the Hamburg-Amerika Line sent May 23, 1939, which is embedded into novel, reads: “Majority of your passengers in contravention of new Cuban law 937 and may not be given permission to disembark. Situation not completely clear but critical if not resolved before your arrival in Havana” (164). In the case of Hannah’s friends and relatives, this means that permission to disembark the St. Louis has been denied.
As in the last chapters, the prospect of suicide continues to loom large. Mr. Moser cuts his veins, and Hannah continues her search for the cyanide capsules, this time finding them and giving them to Leo. The regularity with which the narrative turns to the prospect of suicide illustrates the fundamental emotional difficulty of the refugees’ situation. The Jewish emigrants aboard the St. Louis face an impossible situation: in their own country, they have lost their homes, businesses, and lives, and their existence would be threatened every day if they returned. However, upon trying to escape, they have been denied entry to a new country. This leads many passengers to become hopeless and resort to suicide as their only means of escape.
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