logo

89 pages 2 hours read

The Hidden Oracle

Fiction | Novel | YA

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Chapters 13-16Chapter Summaries & Analyses

Chapter 13 Summary

Harley, the eight-year-old son of Hephaestus, the Roman god of fire and metalworking, explains the three-legged death race to the campers. It is obvious to Apollo that only a child could have designed such a dangerous race. The campers are to group into twos to participate in the race. Apollo is paired with Meg. Given the recent disappearances, the campers are asked to stay away from the woods. Chiron asserts that the race will help the campers better understand the legendary Labyrinth or maze of Daedalus, which has reopened in the camp. Apollo protests that it is impossible to map the Labyrinth, a maze that can think for itself and is always expanding, since it was created by the master inventor Daedalus to contain the monster Minotaur.

At dinner, Conor Stoll and Sherman Yang, two boys whom Meg has humiliated since her arrival, plan a prank attack on Meg. As the two throw a golden net over Meg’s head, the proceedings are broken up by a howl and a “blur of chubby flesh, leafy wings, and linen diaper” (124), as Peaches the karpos lands on Sherman. Peaches takes down Sherman and Connor. The other demigods draw their swords, eager to kill the karpos. To protect Peaches, Meg thrusts out her hands, and a gold light flashes between her fingers. Each of Meg’s hands holds a curved imperial gold blade made in the old Thracian style of ancient Rome. Noting that he has not seen such weapons since the fall of Rome, Apollo is sure Meg summoned them from the crescent rings she wears. Meg’s swords effortlessly slice off the drawn weapons of the demigods. A golden hologram of a sickle and sheaves of wheat appears above Meg’s head. Apollo recognizes the sign to be that of Demeter, the goddess of agriculture. Meg’s parentage is no longer unknown: She has been claimed as a daughter by Demeter. (Gods often claim their demigod offspring by displaying their signs over their heads.)

Chapter 14 Summary

Apollo reacts to Meg’s parentage warily, as Apollo once dated a daughter of Demeter, enraging the harvest goddess. Demeter and Apollo battled over her daughter, eventually settling into an uneasy truce. Ever since then, Apollo has sworn to stay away from Demeter’s children. Apollo notes that Demeter is overprotective of her children because Hades kidnapped and forcibly married her daughter Persephone. Demeter herself rarely dates mortals, making Meg an unusual demigod. Apollo is surprised by the extent of Meg’s powers.

The morning of the three-legged death race, Apollo has another vision of the crowned woman. She asks him to find the gates. In the dream, Apollo senses the presence of very ancient, sacred trees. When Meg breaks his reverie, Apollo questions her about her swords. Meg’s swords are Roman, whereas Demeter is a Greek goddess, suggesting the swords are not a blessing from Demeter. Meg reveals that she has never met her mother and the rings that change into swords are a gift from her stepfather. Meg shuts off Apollo’s further inquiries with the claim that her stepfather is a “good man.” Meanwhile, Sherman Yang, the son of Ares, the god of war, calls the campers for a boot camp before the race.

Chapter 15 Summary

Apollo wishes he had a doctor’s note to skip Sherman’s arduous training before the three-legged death race. Apollo fares better at the morning’s second session, which is music class with a satyr named Woodrow. Apollo’s act of tuning a guitar itself is so melodious his classmates are reduced to tears. The god is delighted to learn that he is still skilled at music. However, Apollo’s fingers begin to spasm after he has played the guitar for a while, reminding him of his mortal limitations. The third lesson of archery reinforces Apollo’s sense of failure. He only manages to shoot one bull’s eye, mortifying himself. Holly and Laurel Victor, the twin daughters of Nike, goddess of victory, mock Apollo’s rusty archery skills. Kayla, the class instructor, tries to cheer up a crestfallen Apollo. However, Apollo is so frustrated by his shortcomings that he swears an oath on the River Styx never to use a bow or a musical instrument in his mortal form. Apollo asks the reader to chide him for the oath, since breaking an oath on the River Styx can have terrible consequences.

Meanwhile, Kayla notices Sherman walking toward the woods in a dream-like state. Apollo and Kayla race toward Sherman, managing to reach him at the tree line. Apollo feels the trees are talking to him and struggles to shake off their voices. In a catatonic state, Sherman mutters that he has to find the missing demigods Ellis and Miranda. Apollo helps Sherman snap out of his trance as the trio retreat from the woods and reach the archery range. Apollo learns that Sherman had been wondering about the whereabouts of Miranda and Ellis before he blanked out. Apollo concludes Sherman had been seeking information and tells Kayla he understands now why the campers went missing. The trees were answering Sherman’s question, luring him into the woods.

Chapter 16 Summary

Though Apollo tries to tell Chiron that the woods may be luring campers inside, Chiron is too distracted with preparations for the three-legged death race to listen. Meanwhile, Harley, the brother of missing Leo Valdez, tinkers with a mechanical device, a beacon, that can guide his brother back. Awestruck with Harley’s love for his brother, Apollo wonders if anyone at Olympus would be working as hard to bring him back.

Apollo approaches Meg with his misgivings about the woods to find her eating a cheeseburger. Apollo notes the irony that like Persephone, Meg, a daughter of the grain goddess Demeter, is an “unrepentant carnivore.” Apollo tells Meg that the talking woods remind him of an ancient oracle older than Delphi, “an entire grove of talking trees” (153). According to Apollo, the sacred trees of the grove are speaking prophecies, answering people’s questions, and luring them into the woods. Meg is skeptical of Apollo’s theory and his fears about the race, reminding him that the three-legged death race does not go through the woods. Apollo wants Meg to summon Peaches for extra protection, but Peaches cannot be called at will; the karpos only materializes when he senses Meg is in actual danger. Chiron blows a hunting horn and calls for the teams of demigods to tie one leg each together and get to the starting position for the race. Will is tied to Nico and Kayla to Austin. Harley is not a participant as he has set up the race. Each team’s task is to find three golden apples and return to the meadow alive. All successful teams will be counted as winners. Chiron requests the campers to have a clean race and, unlike the test group in the morning, not to end up in Peru. On Harley’s command, the meadow begins to shake, and dark lines emerge on the grass, forming a checkerboard. The ground yawns open, and the racers fall into the Labyrinth.

Chapters 13-16 Analysis

One of the most important events in this section is the unveiling of Meg’s parentage. Like the missing Miranda Gardiner, Meg is revealed to be a daughter of Demeter, the goddess of the harvest and agriculture. The manner in which Meg is claimed by her mother may be common, but Apollo notes that the symbol of Demeter glows extra bright and prominently above Meg’s head, indicating Meg’s special power and purpose. Interesting as Meg’s mother is, her father figure is also significant. Meg has inherited her ancient Roman curved swords from her stepfather, whom she claims is “good man.” Thus, Meg represents an intersection of the powers of ancient Greece and Rome, as well as divine and human powers, since the Roman blades are manmade. The color symbolism of the text continues with Meg’s gold swords, gold being a color associated with both gods and kings, as well as the golden harvest of wheat.

In another significant turn of events, Apollo swears an oath on the River Styx not to touch a bow or a musical instrument in his mortal form. Apollo’s oath is foolhardy because breaking an oath on the Styx always brings punishment. It is also symbolic of Apollo’s perfectionist godly nature. Frustrated with his exhaustion while playing music and his failure at archery, Apollo would rather abandon these skills than be mediocre at them. Though Kayla gently explains to him that he will get better with practice, Apollo’s ego cannot entertain such a concept. Apollo’s egotism may be the result of his godly temperament, but it is akin to similar human traits. Thus, the text stresses that there is not much difference between the worst of godly and human traits, a theme later chapters will develop more fully.

These chapters also show that following the battle with Gaia, many artifacts from Greek mythology have been resurrected in the area around Camp Half-Blood, including the Labyrinth built by Daedalus to contain the half-bull monster Minotaur. The overlapping of various realities suggests an external force is trying to topple the equilibrium of the universe that Camp Half-Blood occupies.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 89 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools