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Laurie Garvey’s point of view is the first one presented in The Leftovers. Centering her in the prologue signals the importance of her character and of what her arc symbolizes. She is one of the novel’s protagonists, along with the rest of her family, and is a deeply complex character who is concerned with moral obligations and structure. Though Laurie did not lose anyone in the rapture, helping her best friend Rosalie Sussman cope with the loss of her daughter radically alters Laurie’s view of the world and the role she plays in her family and her community. Laurie follows Rosalie in joining the Guilty Remnant, a group formed in response to the Rapture that values austerity, mortification of the flesh through cigarettes, a vow of silence, and the belief that the end is near.
Laurie’s decision to join is primarily the result of her resentment toward people’s returning to their normal lives following the Rapture. She believes that this normalcy is a fantasy and that everyone is putting up a false persona to live willingly within an illusion (121). Laurie values the hardship and newness of the Guilty Remnant’s lifestyle, as it makes her feel as though her life as value and is not just an illusion. When she is assigned to train Meg, Laurie’s attachment to the young woman causes her to become lax in adhering to certain aspects of the Guilty Remnant’s rules, particularly the vow of silence. Meg and Laurie are moved to Outpost 17 because of their interdependent nature and their intimacy; the leaders of the Guilty Remnant intend for one of them to become a martyr of the cause, though Meg and Laurie figure this out only after their housemates are forced to go through the process.
By the end of the novel, Laurie fully renounces her old familial ties. The only person she cares for is Meg, and Meg cares only for her. Their isolation at Outpost 17, combined with their increasingly deep partnership, results in Laurie’s receiving orders to shoot Meg. Laurie depends upon the Guilty Remnant for her lifestyle, but she does not concede to its quasi-religious martyrdom. Meg shoots herself, and Laurie allows the Guilty Remnant to take her out of Mapleton. The complete surrender of agency, identity, and emotion that she sought as a way of coping with the rapture is achieved, completing Laurie’s character arc from attentive mother to dispassionate follower.
Kevin Garvey is described as a handsome man and a dedicated father, and he is well-liked in Mapleton. After being elected Mayor at the request of the town’s residents, Kevin often puts on “his best impersonation of a small-town politician” (13). This impersonation directly contrasts with his wife’s hatred of the illusion of normalcy that many people adopted following the rapture. Kevin and Laurie are antagonists to each other but separate protagonists in the novel, as they symbolize the coping needs of different people in times of grief.
Kevin is a generally upbeat, positive character, regardless of the absence of Laurie and Tom in his life. He believes strongly in humanity’s collective need to move on from tragedy by resuming normal life. Kevin values stability, habits, and a sense of duty, all of which he finds through his mayoral and fatherly duties. Following Laurie’s decision to join the Guilty Remnant, Kevin attempts to find physical and emotional company with several women before finding himself in a relationship with Nora Durst. Again, Kevin’s need to move on contrasts with Nora’s inability to do so. Kevin is a predictable character who fulfills the role of small-town mayor and single, lonely father, going so far as to become attracted to his teenage daughter’s friend, Aimee. He remains relatively static throughout the novel, never swaying from his belief in normalcy. Therefore, he mainly functions as a contrast to the dynamic female characters in his life.
Seventeen-year-old Jill Garvey is introduced as an eyewitness, or someone who personally witnessed a disappearance on October 14. Following the disappearance of her friend Jen Sussman, Jill Garvey struggles to cope with her role as eyewitness and the new uncertainty of her life. When she meets Aimee, the two become close friends, and Jill allows herself to be influenced by Aimee's lifestyle. Without her mother, and with her father unable to connect with her, Jill matures through her teen years while having to figure everything out on her own.
Jill shaves her head at the suggestion of her friend, attends parties, skips school, and mourns the absence of her mother after Laurie joins the Guilty Remnant. While she is with Aimee, Jill feels “as if she possessed no will of her own” (38), which foils Laurie’s need for complete surrender to the Guilty Remnant. However, Jill regains her sense of identity and purpose when she takes time apart from Aimee. As she refocuses on school, Jill takes on the responsibility of creating a future for herself despite the ambiguous threat of another rapture-like event. Kevin resolutely maintains a sense of normalcy without confronting the absences in his life, and Laurie refuses to return to a normal life, but Jill’s character arc models a healthy process of grieving losses and moving on. This is evident in her final scene with Aimee when both friends acknowledge how important they were to each other in a time of crisis yet amicably take their lives in different directions.
Tom Garvey is a former college freshman who joined Holy Wayne Gilchrest’s Healing Hug Movement as an answer to his uncertainty, questioning, and anxiety following the rapture. Though Tom did not lose anyone close to him, he becomes fixated on the loss of Verbecki, an acquaintance from elementary school. He is unable to understand both why he is obsessed and why Verbecki disappeared. Tom finds answers in Holy Wayne’s supposed ability to heal pain through hugging, though this idyll is destroyed when he realizes that Holy Wayne is nothing more than a cult leader who takes sexual advantage of underage girls.
As a protagonist of the novel, Tom begins as a young man uncertain of his identity and ends as a man in love, willing to risk his beliefs for Christine. Only he is willing to care for Christine’s female baby, as he both loves Christine and feels pity for the infant. His love for Christine largely defines his character, as Tom is willing to follow her even after she abandons him and the baby. Like Laurie, Tom seeks membership in communities—the Healing Hug Movement and the Barefoot People—as a way to divest himself of responsibility, agency, and emotional involvement with his family.
Following the loss of her entire family in the rapture, Nora Durst spends years trying to figure out how to cope with her life in their absence. At the beginning of The Leftovers, Nora has spent three years in intense grief. She is beginning to desire change in her life, or at least a replacement of the rituals she uses to soothe herself. She seeks ritual behaviors such as watching SpongeBob episodes and cycling each day, routines, and clearly defined roles for her life. Being without her husband and children and forced into the role of the saddest person in town, Nora does not know how to define herself or act. Learning of Doug's affair is a relief for her, as it turns her into simply another women whose husband cheats: “It was a smaller, more familiar role, and a lot easier to play” (137). Her character arc traces Nora’s realization that she no longer suits her old roles, is not ready to form new ones, and must discover a new way to organize her life.
Nora is described as beautiful, athletic, and slender. She believes herself to be better than most other people, including in the way she fills the role of a model girlfriend (229). When she realizes while dating Kevin that this role is no longer accessible to her, Nora suffers an identity crisis and plans to move out of Mapleton, adopt an alias, and start over. She realizes that she is no longer capable of filling any role she played in the past. This opens her character up to the discovery of Christine’s baby on the Garveys’ porch: Though motherhood is a familiar role, being an adoptive mother allows Nora to structure a new identity around the baby, and it provides a new purpose and routine for her life.
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