58 pages • 1 hour read
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Elwood’s grandmother Harriet comes to visit him in Nickel, but the staff tell her that he is ill and cannot see visitors. Harriet is no stranger to death and loss. Her father, jailed for not stepping out of the way of a White woman, was found hanged in his cell; her husband was killed in a bar fight; and Elwood’s parents left town in the middle of the night without saying goodbye. Harriet’s mission now is to free Elwood from Nickel.
Elwood lies in the Nickel infirmary bed recovering from his injuries and dreaming about his release. The doctor has to pick pieces of his pant fabric out of his skin and wounds—it had become embedded there during the whipping. The sick White patients, Elwood notices, receive preferential treatment over the Black ones, though doctor’s remedy for all ailments is aspirin.
Reading a history of Nickel Academy, Elwood realizes its credo and its actual practice are two starkly different things. In operation for over 60 years, Nickel was founded as a place to reform young offenders and provide them with a moral compass and practical life skills. In reality, the boys’ free labor turns a profit for the institution, an incentive to keep them imprisoned rather than reforming and releasing them. The school earns $250,000 a year from its printing press and runs a brickworks that produces 20,000 bricks a year, which are sold nation-wide.
Elwood shares the ward with Turner, who occasionally avoids work detail by eating soap powder to make himself sick. There is one other boy there: a silent, mysterious presence hidden behind a folding screen. The doctor and nurse treat him with great care, reading and singing to him at night.
When Elwood mentions he has a lawyer working on his case, Turner tells him “you already got off lucky” (80) for simply surviving the beating. Some boys who go down to the White House never return. Turner also explains that what Elwood thought was bullying was actually a sexual game that Elwood should not have interrupted: The bullies beat up Corey, who then performs oral sex on them. Turner believes all of this is consensual; Elwood disagrees.
Elwood declares that the boys should protest the flagrant illegality of the beatings, but Turner is a pragmatist: Morals can get a boy killed. Elwood resolves to play by the rules and simply survive, but the scars from his beating make it hard for him to repress his sense of justice. When his grandmother returns, Elwood wants to tell her about the White House and his beating, but he cannot bring himself to break her heart with the information.
Released from the hospital, Elwood is assigned to the yard crew again. He decides to do his best to rack up enough merits to leave Nickel by the following June. That way, he can still go to college, and will have missed only one year of school. He worries that Harriet has spent all of their savings on a lawyer—Mr. Anderson, an idealistic young White man from the North eager to make a difference.
One day, while cleaning out the schoolhouse basement, he discovers a collection of classic British literature (Dickens, Trollope, etc.). He realizes his Nickel Academy classes will never challenge him, so he reads these books on his own. Meanwhile, Desmond educates Elwood in the logic (or illogic) of the merit/demerit system. Elwood tries to figure out a calculus for early release, but the system is completely arbitrary: Staying out of trouble won’t help if trouble finds you, Desmond says. Despite the odds, Elwood resolves to leave early and set his life back on track.
One day, Elwood is reassigned to a Community Service detail with Turner and a young White Nickel employee named Harper. Harper’s mother worked at Nickel, and he grew up around the school. Because of this, he sees the boys as unluckier versions of himself and isn’t malicious towards them.
Community service, it turns out, involves selling the provisions issued to the school by the Florida government to local businesses—Nickel administrators shortchange the students and pocket the profits. Still, this work allows Elwood to be away from Nickel for a few hours, and he relishes the freedom, but Turner warns Elwood to keep quiet about the details of the job. After they complete their deliveries one afternoon, Harper leaves Turner and Elwood to paint the gazebo of a local White woman. Community Service often means doing menial labor like this for highly placed townspeople and for Spencer’s patrons and cronies.
While working, Turner tells Elwood his backstory. He worked as a pinsetter at a bowling alley, joking and entertaining the White customers until a Black fry cook accuses him of “shucking and jiving for these white people” (95). The criticism stung, and Turner’s attitude turned sullen and angry. One night, he retaliated against an angry customer by smashing his car window.
Elwood is placed permanently on Community Service detail. The new job lifts his spirits, and he keeps meticulous records of every delivery.
Griff, the feared bully and “baddest brother on campus” (98), is chosen to represent the Black side of Nickel in the annual wintertime Black vs. White boxing match. Trevor Nickel, the school’s founder, who got the job because of his Ku Klux Klan affiliation and despite never having run a school before, instituted the boxing tradition as a way to build moral character through physical fitness (and to have sexual access to the young boys in the showers, abuse the school’s current psychologist also perpetuates).
Griff’s seeming invincibility fills the Black boys with glee—he should easily be able to best the White boys’ contender, Big Chet. However, Turner overhears Superintendent Spencer order Griff to throw the fight or else be taken “out back.” According to Turner, “out back” means being shackled to two iron rings deeply embedded in two trees behind the laundry building, where guards horsewhip you, and then “[T]hey put you down as escaped and that’s that, boy” (105). Being disappeared like this is a punishment reserved only for the Black boys. Elwood has trouble believing this could work—wouldn’t the boys’ families demand answers? Turner scoffs that not everyone has Elwood’s support system; he has brought Elwood to the iron rings to show him the true nature of Nickel.
The town’s White residents eagerly attend the boxing match between Griff and Big Chet. The audience puts bets on the outcome, heavily favoring Griff. Spencer has promised the school’s board of directors to rig the right, so they can bet against Griff and make lots of money.
Griff has been crowing about his upcoming chances, and the boys’ admiration has turned his head the last few days. Elwood wonders whether Griff is smart enough to remember to lose. Sure enough, caught up in the fight, Griff misses the right time to go down. He wins the fight during the third round, and then, confused and terrified of the consequences, pleads with Spencer that he made a mistake—he thought they were still in the second round of the fight, not the third. That night, Spencer and other guards take Griff “out back,” and he never returns. The boys mythologize him, saying that he refused to lose as a matter of principle and that he managed to escape.
In the present, student archeologists find and exhume the body of Griff, whose wrists were broken, showing that he must have been manacled while being beaten to death. The iron rings remain in the trees, though few people now know what purpose they used to serve.
These chapters reveal the full truth behind the abuses that take place at Nickel: the town of Eleanor, Florida, profits so much from the graft and thievery taking place at Nickel that no one will ever protest its abuses. The financial malfeasance works like this: Florida issues food and other supplies to Nickel on the taxpayers’ dime, and then Spencer steals a large fraction of the food and supplies intended for the Black half of Nickel and sells it at cut rates to Eleanor businesses. The owners of those businesses, and anyone else with political power in Eleanor, also get to use the Black boys as free labor. This self-perpetuating system reaches its apotheosis each year during the boxing match where spectators bet on the outcome—an outcome already rigged and predetermined by the same powerful elite. The boys’ lives and potential are only worth the profit the town can exploit from them. Those who upset the system, like Griff, are killed without consequences.
Elwood, ever academic, decides to become a student of this system. Although his first trip to the White House has taught him to keep his head down, Whitehead hints that Elwood’s stubborn streak of righteousness remains. Elwood keeps meticulous notes on every delivery he and Turner make; and Whitehead leaves open the possibility that Elwood is waiting for the right moment to expose Nickel’s corruption. Years of listening to Civil Rights icons have instilled in him a strong moral compass that even the threat of punishment cannot erase.
For the other Black boys at Nickel, who don’t have a full grasp of the system within which they are trapped, the boxing match is a potent locus of hope. They believe that if Griff wins, he will prove them equal to the White boys—if only for that night. This racial solidarity transcends all else. It doesn’t matter that Griff has been their tormentor; now, he is their savior, and his victory something to hold onto during the misery of incarceration.
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