logo

53 pages 1 hour read

The Night Wanderer

Fiction | Novel | YA | Published in 2007

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Food and Drink

The food and drink that different characters consume is an important symbol throughout the novel, for the characters’ interactions with food represent their emotions. Almost every example of food in the novel illustrates how characters perceive themselves and others. For example, the syrup brings back positive memories to both Pierre and Keith, helping them to bond. By contrast, Tiffany uses the dismal French fries of her last date with Tony to express her outrage over his betrayal. Often the type of food matters less than the way it is presented. After one of Tiffany and Keith’s explosive fights, Granny Ruth makes fried chicken, green beans, and potatoes, but Tiffany only eats half the meal. Although the meal itself is a proper dinner that represents their family’s attempt at togetherness, Tiffany rejects it in her anger. The author frequently uses food as a symbol to explore variations on the theme of Juxtaposing Ancient and Modern Lifestyles, and special emphasis is often given to the modernity or tradition of acquiring or consuming various foods.

Food is additionally relevant because Pierre cannot eat it without getting sick, and this physical attribute symbolizes his fundamental separation from all that humanity has to offer, for his vampiric nature compels him to reject human connections and emotions. He pretends to take bites of food to blend in, and when he consumes any human food, such as the syrup, it helps him to reclaim a vestige of his humanity. Accordingly, the blood for which he hungers is separated within the novel from “food” and is portrayed as a dangerous and sinister desire; Pierre’s determined fasting therefore represents his commitment to return to who he once was.

Cars

The presence of cars is a motif that directly explores the theme of Juxtaposing Ancient and Modern Lifestyles, particularly through the centrality of certain vehicles to moments of conflict and subsequent destruction. Cars typically explore the negative side of modernity, for they serve as a status symbol for characters like Tony and are often connected to antagonistic characters such as Chucky and Dale. The narrative makes specific references to different makes and models throughout the story, whether a Honda Civic, a 1994 Dodge Sunrise, or a Toyota Camry and each mention is used to subtly communicate the intentions and preferences of the driver. (Notably, the Dodge Sunrise is the only fictitious car, but given the vampiric presence in the novel, the solar imagery in the name justifies the fabrication.)

Cars may be viewed as status symbols by many characters, but their presence in the novel tends to limit or harm characters’ interactions with one another, representing the harm that modernity has inflicted upon human connections. For example, Tiffany only pretends to be interested in cars to gain Tony’s approval, and this detail immediately indicates the tenuous basis of their relationship. Tony values his car over Tiffany herself, and she exploits this fact when she throws a plate of french fries through his window after their breakup. All these moments demonstrate the failure of honest communication and build the argument that modern pressures have obstructed each character’s development.

Historical Artifacts

Artifacts are a motif that explores the theme of Disconnection and Return to Post-Colonial Home and Culture. They represent the real, lived history and culture that Tiffany struggles to understand and Pierre longs to return to. As these two vastly different characters appreciate the significance of an arrowhead, they manage to connect with each other on common ground. Although Tiffany recalls that she once had to tell her classmates that Indigenous people do not carry arrowheads in their pockets, she is interested to find real arrowheads with Pierre’s help, and this moment symbolizes her repressed but genuine desire to find meaning through her own history. In this way, the artifacts that Pierre finds and gives to Tiffany builds contrast between meaning made by non-Indigenous people and the meaning made by the Anishinaabe people. While arrowheads and other artifacts are exotic symbols to Tiffany’s white classmates, Pierre helps Tiffany to realize that even if the arrowheads do not represent who she is, they do represent her greater connection to history. Tiffany and Pierre can find joy in the arrowheads and spearheads because they have a personal connection to such objects; as Tiffany says, “This isn’t history. This is right here” (200). The meaning ascribed to Tiffany’s own heritage by others causes her to feel disconnected from it, but when Pierre recenters her on the lived reality and meaning of these objects, she connects to her own humanity and existence in a visceral and meaningful way.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 53 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools