48 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Background
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Because apartheid ends between Part 1 and Part 2 of the novel, many characters assume that the country is headed for a steady improvement and never-before-seen racial harmony. The dangerous feeling of the country’s unrest appears to dissipate as the riots over racial inequality end. However, the novel gradually reveals that all this optimism is naïve and mismatched with the actual level of reckoning with past injustices that the country is willing to do. On the one hand, the government takes meaningful steps to enact a reckoning, such as the establishment of the Truth and Reconciliation hearings. On the other hand, many white characters in the novel are not ready to treat the Black people they encounter with more respect.
By the end of the novel, even Amor’s gesture of finally giving Salome ownership of her house feels like an anticlimax because it can have only a limited effect on Salome’s life given her advanced age. This ending highlights the larger theme that past injustices are extremely difficult to address in lasting and meaningful ways, even for those with good intentions. While the novel does not suggest that those with good intentions should give up because of this difficulty, it does suggest that some effects of inequality leave long-lasting marks.
This theme also emerges through the deeply complex question of who land should belong to and how societies should make those decisions. The idea that the Swarts, who own their land thanks to the Dutch colonial presence in South Africa, deserve it most is highly contestable. As a clan mostly comprised of selfish, entitled promise-breakers, they hardly seem deserving. Through her years of patient, devoted service to the Swarts, Salome certainly seems deserving of the small home she lives in, if not much more.
At the end of the novel, however, the reader learns that Salome might not get to keep her house even though Amor finally grants her ownership. The government has begun investigating competing land claims to reverse injustices from South Africa’s colonial history. This complicates the question: It seems fair that descendants of Black South Africans who had land stolen from them should get an opportunity to reclaim it, and yet Salome’s claim to her property as a small reward for years of loyal service seems equally fair. By interjecting this looming problem at the end of the novel, Galgut points out that while the ethics of the novel’s central promise may be simple enough—Manie made a promise, so the Swarts should keep the promise—larger questions of land and property ownership can quickly become thorny in societies that have long allowed unjust systems to thrive. The complexity of these questions suggests that no system of private land ownership can offer universally fair outcomes.
By featuring a narrative point of view that floats freely from main characters to minor characters and back again, Galgut argues that everyone has inherent worth and complexity, even those usually considered simple or uninteresting. The narrative voice sometimes explicitly draws attention to the fact that it is turning attention to unremarkable people or topics that are usually passed over in fiction, scolding itself for getting distracted from the point at hand. This happens so frequently, however, that the reader eventually comes to understand that this strategy is the point, and it is central to Galgut’s text rather than incidental to it.
Just because Galgut makes a case for all life’s inherent worth, he does not mean to suggest that all people are inherently good or noble. Many of the characterological alleyways he explores reveal people who appear neutral at best and predatory at worst. Though the glimpses into the inner lives of such characters are not always ennobling, they reinforce the idea that any of the novel’s many characters could be a compelling protagonist if their inner life was explored and that the people society ignores or disregards are just as complicated as people with higher social status.
Galgut also uses this technique to highlight how little the Swarts think of Salome and Lukas, despite their centrality to the narrative. Even as the perspective shifts to numerous bystanders, many of whom are barely connected to the characters, Galgut withholds Salome and Lukas’s inner thoughts and emotions. The effect is to mirror the dehumanizing attitudes held in varying degrees by members of the Swarts clan toward these two individuals who have played major roles in their young and adult lives. While the author acknowledges and emphasizes the worth and complexity of all people, the Swarts clearly do not, particularly with respect to Black South Africans.
Throughout the novel, Galgut makes clear that powerful societal institutions such as governments or religions are extremely susceptible to corruption. He does not insist that they are evil and useless altogether, but he does present them as vulnerable to the influence of bad actors. In South African political life, the Swarts age as the legacy of President Mandela is gradually undermined by his successors. President Mbeki does little to address the AIDS crisis, which is left in the hands of nonprofits and NGOs like the one for which Amor works. Mbeki is equally unconcerned with soaring crime rates. Both failings are felt by the characters, as Amor struggles to address the AIDS epidemic with few government resources at her disposal, and—in an even more stark example—Astrid is murdered by a carjacker. Later, in Part 4, the nation’s infrastructure is hanging on by a thread as blackouts become a normal part of life in Pretoria. President Zuma’s administration’s actions are shrouded in mystery, as evidenced by his abrupt Valentine’s Day resignation.
Similarly, various faith representatives do not act in the best interests of their parishioners. Reverend Simmers is the most loathsome, engaging in incest and enriching himself with his parishioners’ donations. But even the more mild-mannered Father Batty, Astrid’s Catholic priest, shows signs of prioritizing himself over his congregants. When Jake Moody presses him for information on Astrid, he violates his role of confidentiality as her confessor purely because he has to go to the bathroom and wants the conversation to end. Because of the combination of incompetence, greed, and selfishness, Galgut paints powerful institutions as forces unlikely to usher in radical progress, as they can so easily fall prey to corrupt individuals.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Damon Galgut
African History
View Collection
African Literature
View Collection
Books on Justice & Injustice
View Collection
Colonialism & Postcolonialism
View Collection
Contemporary Books on Social Justice
View Collection
Historical Fiction
View Collection
Popular Book Club Picks
View Collection
South African Literature
View Collection
Summer Reading
View Collection
The Best of "Best Book" Lists
View Collection
The Booker Prizes Awardees & Honorees
View Collection