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Sera wakes up early to accompany Maya to the doctor. Sera feels a phantom pain in her shoulder; she knows it is psychosomatic, as it has been years since the injury occurred. Sera and Feroz had just moved into their own apartment. She doesn’t remember the original argument that triggered Feroz’s beating. He usually apologized after hitting her, but did not after assaulting her with a brass candleholder.
Feroz left on a business trip the next day, while Sera stayed in bed for three days due to her injuries. Every night when he called to say goodnight to Dinaz, Sera hoped for an apology that she did not get. On the fourth day, Bhima brought powders and oils that she claimed would heal Sera’s bruises and aches. She massaged Sera’s body. Sera initially recoiled from Bhima’s touch, but overcame her biases and relaxed. Bhima told Sera not to tolerate Feroz’s behavior. Sera asked if Gopal ever hit her, and Bhima responded that Gopal “would sooner cut his hands off than hurt [her]” (111).
Sera thinks about how time proved Bhima wrong. She reflects on her similarities with Bhima, having watched their respective marriages fade over time. Sera feels that cannot refuse Maya her request for accompaniment due to Bhima’s service.
Sera is relieved that she is picking Bhima and Maya up at the bus stop and not the slum they live in. She remembers her last visit there when Bhima was sick with typhoid. The slum is only 15 minutes from Sera’s apartment yet felt like another world entirely. When Sera entered the slum, a growing crowd of people directed her to Bhima’s house. Despite Bhima’s serious illness, Sera is given a grand reception; Bhima sends Maya to buy Sera her favorite fruit drink, while someone finds Sera a chair to sit on. Sera was overwhelmed by the “generosity of the poor” (115).
Sera took Bhima and Maya home with her to help Bhima recover. Bhima was forced to sleep on a thin mattress on the balcony, with Maya next to her on a bedsheet. Sera blamed Feroz for this, but in truth was too repulsed by the sights in the slum to allow Bhima to sleep anywhere else, despite Bhima’s excellent personal hygiene.
When Sera spots Maya and Bhima at the bus stop, she feels a rush of affection for Maya, whom she has not seen in months. Maya briefly worked at Banu’s house to bridge the gap between the day nurse and night nurse. She suddenly stopped coming, around the same time she became pregnant. Maya is withdrawn, and Sera wonders if she is forcing the girl into the abortion. Sera decides it is the best way out. She hopes to convince Maya to continue her education afterward. Sera tells Bhima to collect the house keys from the neighbor, and Maya makes a spiteful comment about Sera trusting the neighbors more than Bhima. Bhima chastises Maya, and Sera wonders why Maya is so angry.
At the clinic, Maya is scared and asks Sera to accompany her inside the room. To Sera’s relief, the doctor forbids it. As Sera waits, she reassures herself she is doing the right thing; the abortion is the only way for Maya to have a future.
Sera is eventually called in, and Maya says, “All of you will be satisfied now. My baby is dead” (123). Sera consoles Maya. While Maya recuperates, Sera steps out to buy some fruit, tonic, and a new dress for Maya. When Sera offers to take Maya back to the Dubash house, Maya refuses and demands to be dropped off at the bus stop near the slum.
Two months after the abortion, Maya has still not returned to her usual self. She refuses to resume her education or find work, and it is too late to get her job back at Banu’s house. One evening, Bhima suggests they go to the seaside to get some chaat (small, savory foods), and Maya lights up.
As they walk along the beach, Maya asks Bhima for stories about her parents. Bhima tells her about the Afghan balloon seller. Bhima and Gopal always chatted with him about his business, but they never asked about his life or how it felt being away from family. Bhima regrets not doing so, as she thinks he might have been able to help her learn to live with loneliness. A weeping Maya apologizes for being one more burden in Bhima’s life, but Bhima gruffly brushes this off.
Maya asks what things were like when Bhima came to Delhi to get her. Bhima is reluctant to talk about it, but Maya reveals she knows that her parents died of AIDS. Bhima explains that Raju and Pooja moved to Delhi because Raju was a good truck driver and got a lucrative job. Maya asks why Amit and Gopal didn’t attend Pooja and Raju’s wedding, and Bhima confesses Pooja didn’t want them there. Maya expresses her gratitude for Bhima taking her in after her parents died, and Bhima is overwhelmed by love for Maya.
Bhima recalls the telegram that arrived from Delhi, informing her that Raju and Pooja were sick. Sera gave her funds to leave immediately. The doctor in Delhi told Bhima that Raju and Pooja had AIDS. The doctor was upset when he discovered that Bhima did not know what AIDS is. He told her to say goodbye to her daughter and son-in-law, as they didn’t have much time left to live.
Bhima almost passed out, and a young man named Hyder came to her rescue with water. Bhima hesitated for a moment before accepting the water, as Hyder was Muslim. Hyder explained AIDS to Bhima. He hypothesized that Raju became positive by sleeping with sex workers, then passed it on to Pooja.
Hyder kept Bhima company while not attending to his dying friend at the hospital. He was with Bhima when Pooja insisted on visiting Raju in his ward. Pooja consoled Raju, promising that he wouldn’t die alone. Bhima wondered what crimes she committed in her past life to witness her daughter dying. Bhima questioned how Raju became positive, and Pooja brushed the question off. Pooja stated that Raju treated her well until they both fell ill.
Bhima consoled the dying Raju that she would take care of Maya. Shortly after, Raju passed away, and was cremated on a pyre. Bhima wanted to jump into the pyre herself, but stayed alive for Maya’s sake.
The next day, Bhima brought Maya to visit Pooja. The young girl cried over her mother’s health. Bhima stayed by Pooja’s side for weeks. She did not tell Gopal about Pooja’s condition.
One day, Pooja miraculously perked up. She asked Bhima to explain to Maya that Pooja wouldn’t be coming back from the hospital. She gave instructions on how and where Bhima could access all of Pooja and Raju’s savings. She reminisced, wishing she had never left Bhima alone in Bombay (current Mumbai). Pooja passed away later that day. Three days later, Hyder saw Bhima and Maya off at the train station, reminding a teary-eyed Bhima to keep faith.
Sera, Viraf, and Dinaz visit Sera’s friends, Pervez and Aban, to celebrate the engagement of their youngest child, Toxy. Aban’s house is where Sera met Feroz for the first time, during her 28th birthday party. Sera observes how Aban has aged badly, while Sera has managed to maintain her appearance. Sera is envious of the deep and enduring love between Aban and Pervez. Aban notices Sera’s expression and assumes Sera is missing Feroz; Sera is unsure of what to say, as she doesn’t miss the beatings, but misses the dream of marriage she once had.
Aban reminisces happily about a trip the two couples once took together, which brings up a different memory for Sera. After three months of marriage, the couple were out for dinner. Feroz began the night happy and quickly became withdrawn. Once home, he accused Sera of flirting with the waiter and embarrassing him in front of his friends. Sera verbally defended herself before Feroz punched her. She began crying at the thought of spending the rest of her life with Feroz, declaring no one had ever treated her this way. Feroz grew remorseful and apologetic, professing that his love for her made him anxious, as he is an older man. He convinced her that he did not mean to hit her; she got in the way when he raised his hand.
Remembering the incident, Sera wishes she had left him then. She wishes she hadn’t worn a long-sleeved shirt to cover her bruise. Dinaz notices Sera’s mood and asks if she is okay, and Aban comments that Sera has not been the same since Feroz’s death. Dinaz seems to know about the abuse. Dinaz quickly asserts that Sera is just tired, as there is a lot going on at home, especially with Bhima. Aban insists that Sera shouldn’t treat Bhima so well or she will take advantage of Sera; other guests chime in, with stories of old Parsi women who have been mistreated by their domestic workers. Dinaz furiously defends Bhima, to Aban’s amusement.
Aban complains about her domestic worker Jaya’s behavior while asserting that she treats Jaya better than she does her own children. Sera points out that Jaya is still quite young herself, and Aban asks if Sera is a communist. The conversation turns to politics, with numerous guests asserting that the Parsis are being targeted in the country. People wouldn’t dare do the same to Muslims. Someone suggests that Parsis ought to start their own political party, like the Hindu population has done.
Sera changes the topic by toasting Toxy’s engagement. She reminisces with Aban about when Toxy was born. Aban thanks Sera for being present for all the important moments in her life. Sera has never felt close to Aban, but verbally reciprocates Aban’s sentiment. Sera is drained after the party and reflects on how she became reclusive after Feroz’s death. Dinaz noticed and suggested she and Viraf move in. Sera was outwardly cautious, not wanting them to experience friction at living with in-laws. Dinaz brushed off this concern.
Umrigar continues to foreshadow the denouement of the plot’s mystery when Maya’s employment at Banu’s house is revealed. Maya’s sullen and withdrawn attitude when she sees Sera further hints at the eventual reveal in the story. Sera cannot piece together the truth, as she is too focused on Maya’s abortion and placing the young woman back on an education track; this underlines the theme of Education as a Vehicle for Social Mobility. Bhima also ascribes to the importance of education based on her past experiences. She blames her inability to understand or help Maya on her own lack of education. She also recalls the disgust with which she was treated by the doctor in Delhi, when he realized that Bhima does not know what AIDS is. Ignorance, a product of Bhima’s social station, is met with disgust, revealing the strong emotions associated with class status in India.
Revulsion is baked into interactions across India’s Social Fabric of Class, Caste, Gender, and Religion within the novel. Sera’s instinctual revulsion to Bhima’s touch is born out of social conditioning. When Bhima is offered a glass of water by Hyder, she is also wary of sharing a utensil with a Muslim. Both women overcome their revulsion when they realize the source of revulsion is the only person offering comfort. Divisions along the lines of caste, class, gender, and religion, are so deeply sown into the social fabric of India, that no one is exempt from these attitudes, even those oppressed by them.
The attitudes perpetuated by Aban and Sera’s other friends demonstrate the savior complex that the middle class holds toward their domestic workers—the latter are less intelligent and less capable than their employers, and one is to be praised for tolerating them and treating them “well.” Unlike her friends, Sera is aware of how problematic her actions are while perpetuating these social divisions. She is overwhelmed by the grand reception she receives at the slum; in contrast, when she takes Bhima and Maya home, she cannot bring herself to give them better sleeping quarters than a mattress and sheet out in her balcony. Umrigar juxtaposes two extremely different receptions to highlight the social divides of the two women’s realities. Sera knows her arrangement for Bhima is hypocritical, as she uses Feroz as a scapegoat for her own decisions. Dinaz and Maya, the next generation of young women, are disillusioned with Sera’s generosity, evidenced by their willingness to hold Sera accountable. Maya and Dinaz’s actions suggest a generational shift away from the prejudices of past generations.
Flashbacks are heavily relied on to explore the long-lasting scars of Misogyny and Abuse in Relationships. Sera’s flashback at Aban’s party reveals the similarities between Banu and Feroz: Feroz hit Sera, then immediately gaslit her into believing it was an accident. The similarities between Banu and Feroz argue that anybody can perpetuate misogynistic abuse; Banu abuses her in the same way her son abuses her. Misogynistic abuse within the novel is not restricted to physical abuse; Pooja insists on Raju’s good character while dying for his infidelity. In each relationship, men transgress and harm the women they are married to, even as the women continue to stand by their side.
The seaside is a recurring symbol that appears in these chapters. Visits to the seaside help lift Maya’s spirits and reveal the story about her family’s past. The Afghan balloon seller is mentioned again as well, and how Bhima wishes she could have learned the secret of living with loneliness from him. The seaside is simultaneously a place of illumination, reckoning with regret, and growth within these chapters.
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By Thrity Umrigar