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55 pages 1 hour read

This Is Where I Leave You

Fiction | Novel | Adult | Published in 2009

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Symbols & Motifs

Photographs

Photographs in the novel preserve moments that hold an emotional valence for the viewer, often spurring a new understanding or turning point. They become symbols of the power of memory. Judd acknowledges that he still loves his wife when he chooses to take from their home a photograph of Jen on their honeymoon. He feels replaced by Wade in his life when he notices that pictures of him and Jen together are missing from their bedroom. The Foxman brothers begin to reconnect after they discover a picture of the three of them playing in the living room and realize their father is in the picture in the form of a reflection in the glass doors of a breakfront, a cabinet typically used to store dishes. Judd accepts that his mother and father were loyal and in love—and that their marriage included an active sex life—when he sees the picture of his father carrying his new bride on their wedding day. These photographs allow Judd to come to terms with what he is feeling and accept how his current circumstances have changed. The feeling of vibrancy, love, and aliveness in those photographs still exists for the brief moment that a memory is contemplated, signaling the connection between past and present.

Electrical Wiring

The faulty wiring in the Foxman home reflects the tenuous nature of the connections between the family members. Judd says his father, an electrician, took pride in writing the house himself:

He was always fishing lines through the walls, splicing and rewiring, creating a dense maze of circuitry behind our walls to the point where even he lost track of where everything went. The house gradually became something of an electrical puzzle, with too many lines on overburdened fuses and patchwork wiring that doesn’t always hold up (89-90).

The notion of wiring is used elsewhere as a metaphor for shock and emotional distress. When Judd witnesses Horry having a seizure, he sees it as an electrical current going through him, and Horry describes his brain as going “haywire” at those times. When Judd is electrocuted and thrown to the basement floor, he thinks, “I’m still vibrating” (190), as his mother approaches and Judd is vulnerable enough to share a memory of his father that has surfaced.

While electricity can represent life and connection, Judd also uses it to typify the habitual psychological defenses his family adopts. Even near the end of the novel, when much has surfaced, Judd, in talking to Wendy, reflects that the Foxman mechanism of deflecting emotion won’t change: “The hardwiring simply runs too deep, like behind the walls of this house; circuit breakers on hair triggers” (320). As they do with the wiring on the house, the Foxman family, Judd anticipates, will continue to blow up and then try to reset the switch without ever addressing the fundamental problem or redoing the wiring.

Wristwatches

Judd wears a Rolex Cosmograph Daytona wristwatch that Jen bought for him on his 30th birthday. He’d liked and preferred the Citizen he wore and felt the showy Rolex was her way of trying to fit into life in the suburbs. Giving up the watch he preferred to please his wife is indicative of the compromises Judd has made to try to keep Jen interested in him, though he does resent that his salary paid for this gift he never wanted. At the end of the book, instead of returning to his old watch, Judd instead takes his father’s watch, which is engraved with a message of love from Judd’s mother. Judd hopes that the watch will help him feel close to his father and perhaps prove a charm that will help him find the kind of faithful, joyous love that his parents shared. He is replacing the wristwatch he didn’t want, that he wore out of obligation to someone he now feels didn’t really love him, with an heirloom that needs fixing but represents complete devotion and mutual love. As a device that tracks time, the wristwatch also symbolizes Judd’s awareness of the passage of time and the effects of aging, which he dreads.

Judd’s Dreams and Fantasies

Judd’s imagination, as expressed in the fantasies he has about women he sees around him, signals his emotional vulnerability, his hurt over Jen’s betrayal, and his wish to be loved (and have sex again). He says, “I can’t leave the house without falling in love. I intuit whole personalities from a single smile, live out entire relationships with the woman sitting in the next car at a red light” (100). Judd seeks reassurance that he is a worthwhile person through the approval and desire of women, and he seeks physical closeness along with emotional validation and support, which Jen has withdrawn in the transfer of her affections, and companionship, to Wade.

Judd’s dreams surface the fears and preoccupations of his mind, and over the course of the book show him coming to accept, and be less angry about, the things that have happened to him. Along with memories of feeling safe with his father, he has a dream where his father helps heal Judd, restoring part of his leg. His final dream, of his father leaving the room holding a baby, suggests Judd understands that his father, like his childhood innocence, is gone, and can be grieved but can never be retrieved. While his memories are often a source of pain or discomfort, they, like his dreams, are a part of his psyche that Judd comes to terms with in the novel.

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