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59 pages 1 hour read

This Side of Home

Fiction | Novel | YA | Published in 2015

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Character Analysis

Maya Younger

Content Warning: This section of the guide includes discussion of racism, alcoholism, and abuse.

The novel’s protagonist, Maya Younger, is a passionate leader, a curious journalist, and a steadfast friend. She is a senior in high school, and the novel follows Maya’s final year of high school before she leaves her beloved Portland neighborhood to attend Spelman in Atlanta. She describes her hair as “long, black strands [that] twist like licorice and hang down [her] back, always braided” (12). Her hair comes to represent her Black racial identity as she remarks on the fact that her new white boyfriend, Tony, has not felt hair like hers before, and a new white friend, Kate, asks to touch it because she sees it as a novelty.

Maya cares deeply about her school and neighborhood, and she remains committed to justice even when she has to break the rules for the sake of her values. For example, after Principal Green cancels the school’s Black History Month celebration, she takes action by putting up educational posters about Black historical figures. When the principal suspends her as a result, she tells him, “I can’t be the student body president and not fight for the students” (249). This suggests that leadership is not about following rules but questioning them.

Maya has big goals for her future and plans to study journalism at Spelman. Since she is an aspiring journalist, Watson uses her observational skills to craft an informed and attentive narrator for a socially conscious novel. Maya’s hunger for answers propels the novel and its examination of complex subjects such as gentrification.

Maya’s demonstrates The Importance of Solidarity through her steadfastness towards her friends. For instance, she makes an effort to remain close to Essence after Essence moves away, and she helps her escape her abusive living situation with her mother. She has a passionate commitment to her principles, a curious mind, and a loyal heart.

As the protagonist and narrator, Maya plays a central role in the novel’s plot and themes. She seeks to build community as gentrification transforms her neighborhood, and her personal life undergoes major changes as well. During her senior year, Maya strives to foster community and respect within Richmond High as well as between long-time residents and newcomers to the area. She demonstrates her commitment to solidarity when she calls on past and present Richmond students to join her in the cleanup efforts after rioting damages local businesses. This key plot event also connects to Maya’s dynamic characterization and The Complex Effects of Gentrification. At the start of the novel, Maya boycotts the same businesses that she helps to clean up at the end. Over the course of the story, she comes to see the white business owners as allies who can help her secure resources for her school and redress inequities in education.

Maya’s growing comfort with change also ties to the theme of The Importance of Solidarity. She learns to support Essence and Nikki even when their choices don’t align with the plans she would make for them. She realizes the truth of her father’s words: “If Nikki doesn’t want to go to Spelman, you can’t make her feel guilty about that. She has the right to change, Maya. So do you” (231). Allowing herself to be in love with Tony even though he is white represents another significant change for the protagonist. Maya’s story encourages young readers to embrace change within their communities and themselves.

Nikki Younger

Nikki Younger is the protagonist’s easygoing, welcoming, and somewhat apathetic twin sister. Nikki uses her hairstyle to distinguish herself visually from Maya, who always wears her hair in twists: “Junior year, Nikki’s hair had a personality all its own. Pressed straight most days, but sometimes she let it be. Natural waves swimming all over her head” (12). Nikki’s hair becomes a target of criticism when other Black women make her feel that she’s “just not Black enough for them” (54). This reinforces the symbolism of hair in terms of racial identity in the text; Nikki uses her hair to suggest that she sees her expression of race as fluid.

Nikki is Maya’s foil, and her laidback temperament provides a contrast to her sister’s passionate personality: “Mom says I’m the wild one, her fire child. [....] Nikki is Mom’s rain. Refreshing and nourishing and everything good about rain” (163). Because Nikki is more open to change than Maya, she quickly befriends Kate Jacobs and helps their new neighbor become acquainted with the community. Sometimes, Nikki’s calm veers into apathy, which creates tension between her and her sister. For example, Maya accuses Nikki of not caring about Essence when she stops making an effort to see her. In addition, Nikki has a jaded attitude towards Maya’s boycotts because their father’s work as a professional activist drastically cuts into his time with his family. Nikki has a calm and welcoming presence, but her apathy creates distance between her and her passionate sister.

Since Nikki serves as a foil character to Maya, their opposing stances allow them to have debates that both clarify and challenge Maya’s views. For example, Watson develops the theme of The Complex Effects of Gentrification by having Nikki identify some positive results of urban renewal when Maya focuses on the negatives: “You don’t want a nice, clean neighborhood. You’d rather drive all the way downtown for a good restaurant or get on the bus to go to the mall” (62). Later in the story, Nikki’s character receives more development when Maya learns that her sister’s patronage of the white-owned stores on Jackson Avenue isn’t mere indifference to the issues as she thought: “I go to those stores because it’s my way of standing up to it all, of telling them—and myself—that I belong, belong, that I deserve this kind of stuff, too” (235). While Maya advocates for equality and justice in more outspoken ways, her twin has her own quiet form of protest and self-assertion. Nikki develops the themes and the protagonist’s characterization by providing a foil for Maya.

Essence Jackson

The resilient, adaptable, and loyal Essence Jackson is Maya’s best friend. Like the protagonist, Essence is a senior at Richmond High. She grows up next-door to the Younger twins and is “more like a sister than a friend” to them (5). Despite this physical and emotional closeness, the girls’ experiences, family lives, and opportunities are significantly different. Essence has an unstable home environment because her single mother, Darlene, has an alcohol addiction and is verbally abusive. Their family unit represents the effects of repeated injustices against the Black community over decades in Portland.

Essence shows resilience and adaptability in the face of difficult circumstances. She skips class to earn money as a hairstylist so that she can pay for college applications: “I can’t even get on her about skipping school; at least this means she’s still considering college” (118). Essence has to compromise her studies in the hope that she will be able to continue her education after high school, a choice that her privileged classmates do not have to make.

Another of Essence’s key traits is her loyalty: “She doesn’t hold grudges, and she knows that no matter if we disagree, we love each other and we’ll always have each other’s back” (272). She proves the truth of Maya’s words when she defends her friend from Cynthia and Tasha’s bullying even though they had an argument the day prior. Essence demonstrates resilience, adaptability, and loyalty in the face of adversity.

As the protagonist’s best friend, Essence contributes to the themes of gentrification and solidarity. Watson has the character priced out of her childhood home to illustrate how most people displaced by urban renewal are people of color and from lower socioeconomic backgrounds. This event is the novel’s inciting incident and introduces the theme of The Complex Effects of Gentrification, which helps to explain Maya’s initial staunch opposition to urban renewal. However, Essence herself sees some positive aspects to gentrification, such as a greater sense of safety: “Just when things are starting to get nice around here, too. Finally got a neighborhood I don’t have to be afraid to walk through at night, and I got to leave” (22). Additionally, Essence’s character arc highlights The Importance of Solidarity. When Darlene’s behavior becomes especially erratic and threatening, Maya ensures that her friend doesn’t have to face her alone. By the end of the novel, Maya helps Essence move in with her family. This restores some of the young woman’s hope for her future, as evidenced by her decision to take Maya’s advice and enroll in business classes. Watson uses Essence’s character to encourage empathy and solidarity for people who are displaced by gentrification.

Tony Jacobs

The creative, open-minded, and affectionate Tony Jacobs is the protagonist’s love interest. In Chapter 11, Maya notes that he has “nothing-special green eyes” and “messy brown hair” (51). This is a purposefully unflattering description as Maya attempts to shake off feelings for a white boy, but she eventually falls in love with him. Like Maya, Tony is a senior in high school. The creative young man loves art and music, and he wants to study music engineering at Stanford. One of Tony’s key personality traits is his willingness to learn, and his curiosity about Maya appeals to her desire to be known on a deeper level than her relationship with Devin offers. This trait also proves important because of their different backgrounds. For example, when Maya tells him that he wouldn’t understand her decision to attend an HBCU, he replies, “[d]on't just tell me I wouldn’t understand. Explain it to me” (157). Another quality that nurtures Tony’s relationship with Maya is his affection. He likes to express his care for Maya through physical touch like scalp massages and hand holding, and he’s hurt when she physically withdraws from him in public prior to her decision to be open about their relationship. Tony’s creativity, curiosity, and affection make him a positive love interest for Maya.

Tony’s dynamic characterization supports the themes of Building Community Amidst Change and The Importance of Solidarity. At the start of the novel, his confidence and dreams for his future career are hindered by his father. In Chapter 53, Tony’s love for Maya gives him the courage to stand up to his father and tell him about their relationship even though he knows that his father won’t approve of him having a Black girlfriend. Maya also changes Tony by helping him see beyond the bubble of his white privilege. When he’s first introduced, he bemoans having to transfer from his affluent private school. At Richmond High, he learns about white allyship and puts it into practice by supporting Maya’s efforts to make the institution more equitable and respected. Watson doesn’t address whether the couple will remain together when they attend different colleges, but it’s clear that Tony will be forever changed by his relationship with Maya.

Principal Green

Mr. Green is the ostensibly well-intentioned but ultimately pandering and unscrupulous principal of Richmond High. Maya makes the following observations when he is introduced in Chapter 18: “He is short and a few pounds past skinny. He waddles when he walks and his cologne saturates the entire hallway” (82). This characterizes him as an unsavory character, and his spreading scent suggests that he is imposing. Maya gives Mr. Green some credit for trying to engage with students, but his efforts to build community are ultimately shallow and ineffectual. This is shown many times throughout the novel, including in his reaction to the fight between Essence and Tasha: “‘Let’s be better than this,’ he says. ‘We are our brother’s keeper.’ I know Principal Green means well, but it’s going to take more than a chant to fix this” (273). The principal is the first Black administrator the school has had in years, but he prioritizes the comfort of white people instead of championing the needs of Black students. For example, he doesn’t take any disciplinary action after a student shouts the n-word, prompting one appalled student to protest, “Principal Green is a sellout” (191). In addition, he abuses his authority by giving one of his preferred students an unfair advantage in a scholarship application and by belittling Mrs. Armstrong in front of her students. Principal Green may have the right intention of boosting Richmond High’s reputation, but he pays lip service to the ideals of tolerance and unity while perpetuating double standards.

In his role as an antagonistic authority figure, Principal Green makes important contributions to the plot and theme of community. He is motivated by the belief that catering to the new white and Brown families moving into the neighborhood will boost the school’s weakening enrollment and maligned reputation. The decisions he makes as a result, such as canceling the traditional Black History Month assembly, place him in opposition to Maya. His unscrupulous and unilateral decisions lead Maya to find new ways to build community amidst change. In addition, the threat of punishment from Principal Green adds to the plot’s suspense during the poster war: “I hear footsteps and voices. Star and I run down the hall” (184). The “footsteps” and “voices” mimic elements of the horror or mystery genre. In the end, Principal Green and Maya come together and start new traditions for the senior block party. Watson uses Principal Green to emphasize the protagonist’s commitment to her community and to criticize leaders who pay lip service to diversity but fail to support Black stakeholders.

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